Just invested the abovementioned sum in a Technics SL 1500 turntable, partly because it was cheap and partly to see whether the whole direct drive thing is for me.
Let me start with the negatives. This is a 30 year old turntable, and the speed pots need replacing. I've cleaned them, but it still takes a good 5 minutes for the speed to settle down. This isn't the quartz speed locked model, so the odd tweak is needed every now again between records. Lastly, when compared to the Rega P2, the SL 1500 is more sensitive to surface noise on the vinyl, and to static also.
However, it sounds so good, even with an inferior cartridge. The sound has snap, dynamics, and that quality peculiar to expensive gear, the ability to place notes with precision, and leave a sense of space between them. Even piano, the achilles heel of vinyl, sounds as good as the media permits it to get. To be truthful, not since I bought the Sonus Fabers have I heard such a difference in my system, and such a musical difference, to boot. This is with a turntable whose arm is basic, and whose market quickly turned away from the world of HiFi to that of the DJ.
Would I recommend this turntable? No. It's far too old, and anyone buying one should expect to have to do a lot of work on the circuit board. However, it does whet the appetite for the SL 1200 or SL 1210, which, judging from my experience with, the SL 1500, should comfortably better the established favourites like the Regas, the more expensive Pro-jects, Clearaudio Emotions and so forth. It's certainly made the SL 12xx series top of my list for future upgrades. My P2 is awaiting the highest bidder.
Let me start with the negatives. This is a 30 year old turntable, and the speed pots need replacing. I've cleaned them, but it still takes a good 5 minutes for the speed to settle down. This isn't the quartz speed locked model, so the odd tweak is needed every now again between records. Lastly, when compared to the Rega P2, the SL 1500 is more sensitive to surface noise on the vinyl, and to static also.
However, it sounds so good, even with an inferior cartridge. The sound has snap, dynamics, and that quality peculiar to expensive gear, the ability to place notes with precision, and leave a sense of space between them. Even piano, the achilles heel of vinyl, sounds as good as the media permits it to get. To be truthful, not since I bought the Sonus Fabers have I heard such a difference in my system, and such a musical difference, to boot. This is with a turntable whose arm is basic, and whose market quickly turned away from the world of HiFi to that of the DJ.
Would I recommend this turntable? No. It's far too old, and anyone buying one should expect to have to do a lot of work on the circuit board. However, it does whet the appetite for the SL 1200 or SL 1210, which, judging from my experience with, the SL 1500, should comfortably better the established favourites like the Regas, the more expensive Pro-jects, Clearaudio Emotions and so forth. It's certainly made the SL 12xx series top of my list for future upgrades. My P2 is awaiting the highest bidder.