chebby:Andrew Everard:... I'm just concerned when advice would appear to be leading someone toward something entirely unsuitable - such as a 36 year old amplifier being sold on ebay, which the person is urging the poster to 'snap up' without having seen it or heard it in action.
Andrew I agree with most of your last post but I cannot help thinking that Master Hughes does actually have that JVC amplifier (or was it more like 'blew one up in his garage'?) or at least one very similar in vintage, brand and model type.
I can see just from his flickr photostream at least 2 other vintage JVC amps (they have the tell-tale appalling wallpaper behind them so I guess they must be genuine!) so I personally would be hesitant to 'call him' on it because it seems Jake Hughes has had (or still has) at least three JVC amps of similar vintage/type and probably knows their merits from actual experience.
To start with, Mr.E, I am no longer 15 - did you not see the thread in which I bought a new TV for my birthday? And secondly, I'm not full of bravado - I'm suggesting choices for the OP to consider; if you don't like them, just go ahead and satisfy your ego by banning me.
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Anyway, it is true - I have had four vintage JVC amplifiers so far and I have compared them all in a blind-test along with my Arcam A32 with a variety of different music, sources and speakers. The tell-tale wallpaper is the "genuine" stamp!
From my experience (and I see no way in which my experience is any less than many others on this forum, especially considering my bedroom is like the conveyer belt in "Generation Game" when it comes to vintage hi-fi) the high-end Super-Class A amplifiers are some of the most musical amplifiers ever made: The treble is so sweet, you find yourself looking for the valves (of which there are none); the bass is so full, fast, deep and powerful that it belies the power ratings; the midrange is so rich and involving that it really can spook you into thinking the singer is in the room and I havn't even mentioned how well these amplifiers create a 3D soundstage!
Okay, there are some downsides: On some examples, the capacitors are leaky and the resistors get a bit too toasty, but if you look for a well respected and well presented model, the chances are very slim. I've only had one bad experience, and that was on a trashed A-X400 which was from after their hay-days...
Of the four I have owned: The JVC A-X400 (1984), JVC A-X4 (1979), JVC A-X5 (1979) and JVC JA-S55 (1976), the A-X5 is the best. Infact, the A-X5 is in another league of amplifiers to anything I have ever heard. I wrote a letter into another hi-fi magazine's February Issue that I'm sure you can find regarding this amplifier and some suitable speakers. It's PRAT could challange a Naim and yet it maintains such a rich and warm sound. It truly is the dog's doodles when it comes to amplification. To put it in perspective, it walks all over my new £1200 Arcam FMJ A32 and that's saying something.
However, it gets even better. I once caught a JVC A-X9 in a hi-fi shop window; The A-X9 was JVC's top of the range integrated amplifier at the time the A-X5 was launched and some folk think it's the best amplifier ever made, and one of the best, cleanest designs of all time too. Period.
Don't believe me? Try one. The A-X5 will cost you the best part of £80, so that's the cost of the cheapest phono stages these days; you hardly need to remortgage your house! And if worse comes to worse, you can put it back on flEbay and get back what you spent - or
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The only other amps which could challange the A-X5 are the Marantz PM-84 and the Pioneer SA-9800, but both fetch atleast 5 times more...
Here's a photograph of the A-X9:
Photograph thanks to jgmacv.