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The QUAD 22L2's are worth a demo; they;re fantastic speakers but I'd say on an equal par with your M/A S6's
hifilover1979 said:Hmmm
Spendor A5's, PMC GB1i's, Rega RS7's, Monitor Audio GS20's or 60's (2nd hand), B&W CM8's & CM9's, Proac Studio 140's etc...
hifilover1979 said:Hmmm
Spendor A5's, PMC GB1i's, Rega RS7's, Monitor Audio GS20's or 60's (2nd hand), B&W CM8's & CM9's, Proac Studio 140's etc...
Sabby said:hifilover1979 said:Hmmm
Spendor A5's, PMC GB1i's, Rega RS7's, Monitor Audio GS20's or 60's (2nd hand), B&W CM8's & CM9's, Proac Studio 140's etc...
From your suggested list of speakers I have only listened to the B&W CM8's and didn't like them at all. Way too bright and also lacking in bass depth. They were partnered by the Marantz Pearl Lite amp/cd player and I'm sure this combo wouldn't inject any brightness to the sound. The Spendor A5's or the Proac Studio 140's might be the best options as the PMC's and Rega RS7's are not available here and finding 2nd hand MA's are near impossible.
CnoEvil said:hifilover1979 said:Hmmm
Spendor A5's, PMC GB1i's, Rega RS7's, Monitor Audio GS20's or 60's (2nd hand), B&W CM8's & CM9's, Proac Studio 140's etc...
What he said, and maybe including Dynaudio. Exactly what are you trying to achieve/change about your present sound?
Sabby said:What I am looking for is a bigger soundstage with better separation and more precise placement of vocals and instruments within that soundstage. At times the soundsatage with the MA's is a bit vague with very little depth. Am I asking for too much? Should I also be looking at weaknesses in the other components in my system?
CnoEvil said:Sabby said:What I am looking for is a bigger soundstage with better separation and more precise placement of vocals and instruments within that soundstage. At times the soundsatage with the MA's is a bit vague with very little depth. Am I asking for too much? Should I also be looking at weaknesses in the other components in my system?
That is such a hard question to answer. Do you find it more a of a problem with CD or TT? IMO. There are many things that effect this, as well as the componants themselves: Isolation of componants; room acoustics; speaker positioning; type of speaker (floorstander vs standmount); mains quality and controversially, cables including mains cables. What type of floor is your speakers on (concrete vs suspended wooden); are your speakers totally stable, level and away from corners; is your TT well isolated; how is your room furnished; do you use after market mains cables; have you tried different speaker positions with various amounts of "toe in"; are your ears at tweeter height when seated; are you sitting as far from the speakers as they are appart (ie. forming an equilateral triangle); do you have any isolation products under your equipment? Sorry for all these thoughts/questions/suggstions, but over the years I've found they all have an effect....so its worth experimenting which ones work in your particular situation.
hifilover1979 said:The Spendor A5's are brilliant speakers; got a pair sat behind me still boxed/brand new and waiting for someone to buy them (the ones I won in the What hifi comp last month) as they're of no use to me unfortunately as I'm not planning to change my current system![]()
DIB said:hifilover1979 said:The Spendor A5's are brilliant speakers; got a pair sat behind me still boxed/brand new and waiting for someone to buy them (the ones I won in the What hifi comp last month) as they're of no use to me unfortunately as I'm not planning to change my current system![]()
Sorry to go off track here, but I saw your ad for the A5's and was very surprised that you didn't appear to get any takers. Looked like a cracking deal to me.
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