- Aug 10, 2019
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Hi all - I'm not getting sufficiently high recording levels using my
KX580. Quick set up spec - very obvious entry level so be kind please:
T/table - Project Debut II
Amp - Rotel RA921
Deck - Yamaha KX580SE
CD player (/recorder) - Sony 2 drawer job
Now
bear with me please. When I record to cassette from CD I can get BAGS
of level - if I wanted to peak at +8db I could do that no sweat. Of
course, I *don't* want to do that because the recordings would sound
horribly distorted when the dynamic range is at its fullest. Hence I
generally shoot for around +2db, maybe +4. This sounds good-to-great
with a chrome SA90.
So - no probs recording from CD to cassette.
The
difficulties arise when I want to record from vinyl to cassette. I then
find with a lot of my LPs that I'm struggling to hit 0db, even with the
KX580's record levels cranked all the way up. Sure, on well-pressed 12"
singles spinning on 45rpm I can normally get into the comfort zone. But
I don't want to have to make comp tapes from vinyl that are compromised
by all being at 0db. Basically I want more headroom" (is that the right
term?) from my KX580. OR more input level from the amp and or t/table.
One way I *can* get this is by coming out of the Rotel's headphone
socket and into the KX580 - I then crank the KX580 and use the Rotel's
volume control to increase the level of signal going to tape. But it
strikes me that this isn't a good solution because the circuitry from
the headphone out won't be as good as if it was coming out of the rear
of the amp in the way you're meant to do it. I've done some A-B
comparisons between tapes done via phones out and via the more
conventional way - but it's hard to assess them for the simple reason
that the former is louder on play back. Obviously.
Is this
making sense to anyone? I appreciate this is luddite stuff and that
history left me behind a decade ago. But for various reasons I still
use cassettes and plan to do so for the foreseeable future. And
although I do like the KX580s (so much so that I have 3 of them - and
yes I have swapped them around to isolate faults, and no - they're all
weak when it comes to obtaining high record levels from my set-up when
recording to tape from vinyl), I am getting a bit frustrated with their
apparent inability to get good signal to tape from vinyl. I guess my
amp could be playing up - but as I said, it works perfectly well for
processing signals from CD. I thought the t/table might be the weak
link so tried another stylus. Nope. Same story.
Maybe what I'm asking then is what's a good tape deck for recording vinyl? Any help would be greatly appreciated. Thanks all.
KX580. Quick set up spec - very obvious entry level so be kind please:
T/table - Project Debut II
Amp - Rotel RA921
Deck - Yamaha KX580SE
CD player (/recorder) - Sony 2 drawer job
Now
bear with me please. When I record to cassette from CD I can get BAGS
of level - if I wanted to peak at +8db I could do that no sweat. Of
course, I *don't* want to do that because the recordings would sound
horribly distorted when the dynamic range is at its fullest. Hence I
generally shoot for around +2db, maybe +4. This sounds good-to-great
with a chrome SA90.
So - no probs recording from CD to cassette.
The
difficulties arise when I want to record from vinyl to cassette. I then
find with a lot of my LPs that I'm struggling to hit 0db, even with the
KX580's record levels cranked all the way up. Sure, on well-pressed 12"
singles spinning on 45rpm I can normally get into the comfort zone. But
I don't want to have to make comp tapes from vinyl that are compromised
by all being at 0db. Basically I want more headroom" (is that the right
term?) from my KX580. OR more input level from the amp and or t/table.
One way I *can* get this is by coming out of the Rotel's headphone
socket and into the KX580 - I then crank the KX580 and use the Rotel's
volume control to increase the level of signal going to tape. But it
strikes me that this isn't a good solution because the circuitry from
the headphone out won't be as good as if it was coming out of the rear
of the amp in the way you're meant to do it. I've done some A-B
comparisons between tapes done via phones out and via the more
conventional way - but it's hard to assess them for the simple reason
that the former is louder on play back. Obviously.
Is this
making sense to anyone? I appreciate this is luddite stuff and that
history left me behind a decade ago. But for various reasons I still
use cassettes and plan to do so for the foreseeable future. And
although I do like the KX580s (so much so that I have 3 of them - and
yes I have swapped them around to isolate faults, and no - they're all
weak when it comes to obtaining high record levels from my set-up when
recording to tape from vinyl), I am getting a bit frustrated with their
apparent inability to get good signal to tape from vinyl. I guess my
amp could be playing up - but as I said, it works perfectly well for
processing signals from CD. I thought the t/table might be the weak
link so tried another stylus. Nope. Same story.
Maybe what I'm asking then is what's a good tape deck for recording vinyl? Any help would be greatly appreciated. Thanks all.