- Aug 10, 2019
- 2,556
- 5
- 0
Hi all. I'm new here and currently in that "how can I improve this" frame of mind.
I currently have :
Technics 8000 pre-power amp
Rega Planar 3 deck with Linn cartridge
Arcam Alpha 1 CD player (also have Cambridge Audio CD5 but it's not very good so still using the Arcam) which plays through a Musical Fidelity X10D box of tricks
Castle Pembroke speakers on Heybrook stands (the old Pembrokes, not the modern floor standers). They had new bass drivers at the Castle works about 13 years ago
I tend to listen to classical music including a lot of choral and large scale orchestral plus classical organ music so I'm asking a lot of any system. As an amateur singer I have fairly acute hearing.
I'm looking to keep things fairly modest as I'm convinced whatever you have your ears soon adjust to it and cease to be easily tricked. I'm also dubious about some of the tricks played by recording engineers and how they affect what eventually comes out
My listening room is not good as it's a modern house with low ceilings lots of soft furnishing and it's an L shaped lounge/diner, i.e. wherever you put things it's never quite right.
On the whole it works well enough but I always feel it lacks a certain transparency and some detail gets muddled on larger works, it's good on chamber music and small scale stuff. I suspect some of this may be down to less than ideal speaker placement - I can't really get them out in the open, there's just not enough room.
You'll have gathered from the above that I'm of the older persuasion ! So what to do chaps and chapesses ? All advice gratefully received
I currently have :
Technics 8000 pre-power amp
Rega Planar 3 deck with Linn cartridge
Arcam Alpha 1 CD player (also have Cambridge Audio CD5 but it's not very good so still using the Arcam) which plays through a Musical Fidelity X10D box of tricks
Castle Pembroke speakers on Heybrook stands (the old Pembrokes, not the modern floor standers). They had new bass drivers at the Castle works about 13 years ago
I tend to listen to classical music including a lot of choral and large scale orchestral plus classical organ music so I'm asking a lot of any system. As an amateur singer I have fairly acute hearing.
I'm looking to keep things fairly modest as I'm convinced whatever you have your ears soon adjust to it and cease to be easily tricked. I'm also dubious about some of the tricks played by recording engineers and how they affect what eventually comes out
My listening room is not good as it's a modern house with low ceilings lots of soft furnishing and it's an L shaped lounge/diner, i.e. wherever you put things it's never quite right.
On the whole it works well enough but I always feel it lacks a certain transparency and some detail gets muddled on larger works, it's good on chamber music and small scale stuff. I suspect some of this may be down to less than ideal speaker placement - I can't really get them out in the open, there's just not enough room.
You'll have gathered from the above that I'm of the older persuasion ! So what to do chaps and chapesses ? All advice gratefully received