North West Audio Show - Cranage Hall, Cheshire 21/22 June 2025

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It's that time of the year when hifi types head off to Cheshire, the De Vere Cranage hotel in particular and the North West Audio Show once again.

I'd attended for the first time last year and loved it, so this year have booked in for the weekend and making a mini break of it (well, booked in nearby, Cranage was booked out!).

Some terrific rooms, highlights for me this year were Auden Distribution who hosted Hegel, Amphion and Eggleston Works and their demo system with Hegel and EW being a real highlight. Mega expensive, but effortless power on tap and a sense of presence with AC/DC on the (Hegel) streamer.

Kii Audio had their #KiiThree active speakers on demo in their room and these were a seriously good proposition. Wonderfully engaging audio, great clarity, ample punch, but not overpowering and a nice midrange.

My favourite room of the day though belonged to Neat Acoustics and their stunning Iota II which somehow delivers a huge presentation that is every bit high quality audio as you'd find anywhere else on the Cranage Estate today. Captivating sound that belied their small stature. An utter bargain at £1,095. Definitely going back for more tomorrow.
 

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I went today only, and just got back about 8pm. It’s a lovely venue, and I appreciate how they let every other room, in some corridors, to reduce the ‘interference’.

The Auden rooms were both impressive, weren’t they, in different ways? Those Kii were the smaller 7 model, but they were one of the best sounds I agree. Neat were using the larger pair when I visited their room (the ones on the far left in your pic), but I always liked Iotas, and they’ve dropped the bigger Iota Alpha now. 😕

I was v impressed withthe relaunched 40th anniversary Acoustic Energy AE1, which will be £1,500/pr. I reckon that is a bargain compared to BBC mini monitors, and they have a lush finish even down to the original shiny speaker fixings.

ATC have a nice distant room upstairs with the SCM20 Actives, well worth hearing. One of my favourites today, but then I own ATC so am predisposed towards them I guess. Hope you enjoy Sunday!
 
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I went today only, and just got back about 8pm. It’s a lovely venue, and I appreciate how the let every other room, in some corridors, to reduce the ‘interference’.

The Auden rooms were both impressive, weren’t they, in different ways? Those Kii were the smaller 7 model, but they were one of the best sounds I agree. Neat were using the larger pair when I visited their room (the ones on the far left in your pic), but I always liked Iotas, and they’ve dropped the bigger Iota Alpha now. 😕

I was v impressed withthe relaunched 40th anniversary Acoustic Energy AE1, which will be £1,500/pr. I reckon that is a bargain compared to BBC mini monitors, and they have a lush finish even down to the original shiny speaker fixings.

ATC have a nice distant room upstairs with the SCM20 Actives, well worth hearing. One of my favourites today, but then I own ATC so am predisposed towards them I guess. Hope you enjoy Sunday!

I popped into the Acoustic Energy room, and logged the AE1s but a tad soft for my liking in the treble. I'll return for a longer listen later on today though.

I had a chat with one of the guys at the door and he did mention that a tweaked active AE1 should be out later this year.

Heard the ATC SCM20 Anniversary model last year on the Doug Brady display and they were fantastic. Best of the show for me last year. I'll be looking to get another listen in before I go today.
 
Subscribing to visit voraciously through your reports !
Please visit ALCHRIS AUDIO and let us know how Alan and Christine get on!
Unfortunately they were playing ear-splitting rock when I looked in, so I made a hasty retreat. I thought I’d seen their speakers in another room or two until I realised they were Kerr Acoutics.

A show like this brings home to me the huge talents out there by way of, for example, amplifier and speakers designers, and how hard it must be to carve a niche.

NVA were much more ‘normal’ with their little integrated amp and latest cube speakers, a great sideboard system. And also at modest prices, Kevin Edwards’ latest Edwards Audio amp and speakers with a Kestrel turntable system was very easy to like. He mentioned how some rooms had mains cables costing greater than his whole system!
 
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Heard the ATC SCM20 Anniversary model last year on the Doug Brady display and they were fantastic. Best of the show for me last year. I'll be looking to get another listen in before I go today.
Yes, these are now the regular version with the same active (SL grade) drivers in a nice veneered box for £6,500. A regular Technics SL1200G turntable was in use too, and ATCs own CDA2 mk2 pre-amp DAC and CD player was doing the switching. I didn’t identify the phono stage or streamer, but there was a small orange-painted box in the rack.
 
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Unfortunately they were playing ear-splitting rock when I looked in, so I made a hasty retreat. I thought I’d seen their speakers in another room or two until I realised they were Kerr Acoutics.
ah yes; Alan does run a "rock hour" apparently !
I know he has taken TX9, 5 and 1's and they are similar in design to KERR. I believe they are good friends too.
 
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Just back home, phew, quite the weekend. In retrospect, I should've stayed over an extra night, but having blown a fair bit on LPs and a couple of Analogue Productions SACDs, that took care of the accommodation budget for night three...! For all that though, it was a really great weekend.

So many highlights, and photos which I'll add later, but some thoughts on the proceedings first, the winners, honourable mentions and what didn't quite work for me.

If you've not been and live within a few hours, it's definitely worth going along; great venue, beautiful setting, can be busy but never really feels overcrowded, there's food and drink available in both the bar and the outdoor catering provided, also coffee and doughnuts which was added this year. As well as the exhibitors, who are mainly traditional hifi, you've got other rooms for audiophile label Chasing the Dragon, who bring their boutique label and recordings and book out one of the larger rooms on the ground floor. Similar, if not identical system to last year, with a Technics SL1210GR deck, some massive ATCs and this year it looked like they were powering them by the new Quad 33 amp (I may have been mistaken so will need to check the pics), but it was a great sound. Their label records "direct to cut" from live performances. I'm not too big on their chosen music, mostly chamber, jazz or orchestral, but their room is very popular and their titles are available to buy at the show.

Upstairs, MCRU, Audioquest, and similar take out some other rooms and headphone fans aren't sold short as personal audio has a good presence in two or three rooms. Just past the entrance, you'll find the likes of Russ Andrews, Avondale, Qobuz, Puritan and Richer Sounds, to name a few, Richers had a nice room upstairs, more of which later. And before you even got in this year, you could've had a listen to the WEM PA that Pink Floyd used for the Live at Pompeii recording!

I tend to do a few circuits of the rooms to get an idea for what's on offer and there's quite an area to get round, but as I was there for opening - and once the initial queue had gone down - it was down to business pretty quickly.

Local dealer Doug Brady brings a good room. Last year they hit money with their ATC SCM20 Active Anniversary model on demo which were my highlight of the show. ATC were present again this year in a few rooms, but they had their passive versions of the same on show in their own room this time round. Lovely sounds (though I'd still take the actives!) and accompanying Technics deck. Can't recall the amp this time round (see photos later), but the album playing when I was there was Roger Waters Lockdown Sessions LP, which was so good I bought it at the record fair later on. I bought a good few things at the record fair this year right enough... < feet shuffling overtime here > ...I digress, let's go back to Day 1 on Saturday morning.

My first room is G Point Audio. They get one of the largest rooms on the ground floor and need it. They're packing it and bringing it with some high end stuff; J Sikora turntables, Lampizator Horizon amp / DAC gear, and Audionec's (very) distinctive Evo Line speakers plus a full rig out of various accessories, supports and so on. They're playing some Genesis so I'm in there and onto a seat in no time. It's a great start as the audio is of the high quality variety. So it should, like a few of the systems on show this weekend, you're not going to be getting much change out of £75,000-plus but the great thing about this show is you get something for everyone, whether that be high, mid, or regular Mr and Mrs John Q Average money. The sound is effortless, languid and easy to listen to. If it wasn't for the other 20 or so folk in the room, I'd happily spend the morning in here. Alas, I don't want to take up too much room (small, I am not) or dwell for too long and move on. I'll come back though.

Outwith the G Point Audio room, it leads back onto the Melco / Chord display which is a mix of players, networking hardware and good old fashioned cables that Chord will happily put together for you (and one of their guys was on the Sunday!). Not quite my thing, I've a few Chord cables to my name (pre- X-Aray Shawlines and Clearways and former Chord Chorus owner too a few years back), Thereafter, you wander down the corridor, through the aforesaid Richer/Russ/Qobuz muggers alley and the doors open.

I like the Doug Brady rooms - this year, they're bringing Quad aplenty with the 33 pre- and 303 power amps, the new Quad electrostatics and Burmeister gear, Arcam, Rotel and some lovely Luxman. Monitor Audio, KEF, Kii and Rega gear to name a few. The presentation as well as the audio is to the kind of standard you'd expect from a dealer that been around either as Doug, or W.A. Brady for several decades now. Highly recommended.

I made a quick pitstop into the Acoustic Energy room, where they were demoing their AE1 40th Anniversary Edition passives. I didn't quite get to grips with them on this visit, but as the Beatles (and indeed, Phil Collins) once sang, tomorrow never knows, so more of that later. I did however have a good chat with one of their guys outside
Coherent Audio have the large room more or less opposite Chasing the Dragon on the Ground Floor, and they're another that bring the big guns out - this year they've Tad Labs GE-1 speakers out there and the rest of the gear I don't recognise but if I'm truly honest, they let rip with Frankie Goes to Hollywood's Two Tribes. They could've had an all-Amstrad setup, I wouldn't have given a damn, it was that all-enveloping audio that just makes the heart sing. If you weren't there in 1984 and don't quite get it....sorry. Not sorry.

The Cambridge room was visually appealing, a stark white screen background and the Cambridge logo lit up in stark relief with a relatively minimalist setup. I'm a bit of a Cambridge fanboy having their 752BD universal player (11 years old at that and still going strong!), the more recent Alva ST turntable and the 200M DAC with the excellent Melomania in-ear monitors bringing up the (r)ear.

Alas, they had none of that, opting for their newer streaming capabilities and some own brand floorstanders that - on the Saturday - didn't quite cut it. I didn't get the model numbers, Cambridge these days opting for minimalist gear which looks great and is an absolute PITA to try and work out what's on display. The - what looked like - the EVO 100 all-rounder was doing its thing on the Sunday and sounding pretty damn fine. I wasn't quite convinced by the (own brand) speakers on Saturday morning, but floorstanders in a confined hotel room never made for happy bedfellows. Way too bassy.

(Amphion speakers and Auden Distribution, following on from the above, we'll get to you later....)

The Fanthorpes room was next, and for those of you in the dark, they're a respected dealer in Hull. I hear they're shut on weekends these days, but weekdays are good. Check their website for details if you're planning a trip. This year, they brought PMC speakers and Bryston kit. Great room, The PMCs were effortless, with a bigger sound than their dimensions suggested. The kind of sound you could engage with for hours, which, to my ears, if nothing else, is a good sign.

After Fanthorpes, I wandered up to the Auden Distribution main room (they had a smaller one with Amphion speakers further up the building), and this one featured Hegel amps and source gear with the aforementioned Eggleston Works speakers and, when I arrived, belting out AC/DC. My notes are as per above, but, to take this puppy home, you'd have been on the wrong side of a good £30,000-odd and wind up the Scotch my good man, if only to numb the pain!

The Neat Acoustics room was next, and I've said enough about the Iota 2 to wax lyrical about it till next year's show.

Yeah, alright, for a fiver off £1100, they're an absolute steal. Factor in an amp, be that integrated or pre/power though and you're branching into Kii territory...

And yes, the Kii Three actives have a view on this, not least as I ventured on their room on Saturday and was deeply impressed by their speakers. Wonderfully deep, lucid in the midrange with a nice high range without being shrill. I'd go so far to say a bargain, but at over £3,000 you might need to check your balance first. I'd normally say whether that's a pair or per speaker, but I didn't fully quite catch the rep's chat - the real stand-up from this is that you can get stereo from one speaker and I assume that's from the driver arrangement in the Threes. The brass tacks bit means you might be shelling out over £6,000 to get a pair of them, and let's not get on to the Kii Sevens (and they're a treat on the eye)!

The rest of Saturday was a mix of record fair, coffee, record fair, coffee - a quick pitstop into several rooms, not least the Audio Note one - and more record fair. But the summer temperatures of over 33 degrees Centigrade meant lingering and listening weren't high on the cards.

And the rest, I'll follow up on tomorrow!

Edit: Oh, PS, forgot to mention, and the guy from the other Auden Distribution that didn't quite like my take on the new Hegel DAC...
 
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ATC were present again this year in a few rooms, but they had their passive versions of the same on show in their own room this time round.
Thanks for the super write up. Just a couple of corrections if I may…

They were definitely the new Active SCM20 in ATCs room, at £6,500 a pair in the standard wood finishes. I looked behind, and it’s listed in the catalogue too!
And yes, the Kii Three actives have a view on this, not least as I ventured on their room on Saturday and was deeply impressed by their speakers. Wonderfully deep, lucid in the midrange with a nice high range without being shrill. I'd go so far to say a bargain, but at over £3,000 you might need to check your balance first. I'd normally say whether that's a pair or per speaker,
They were showing the newer, smaller Kii 7, which are £3,500 each, so £7,000 a pair. The original Kii Three are double that, at around £15k a pair. (I demo’d some Threes with a pal - he was the one buying! - a few years ago, with and without the BXT bass add-ons. Stupendous!)

Yes, it was the new Quad 33 preamp on duty in the Chasing the Dragon room, feeding ATC’s whopping SCM150 Actives I believe. They are also pictured in the disc I bought, so I’m guessing they are Mike Valentine’s own pair that he mixes with.
 
After the video interlude above, Sunday for me started at Shrigley Hall Hotel where I'd booked an overnight. Lovely setting and building about 30 mins from Cranage. So, after an early breakfast, it was back in the car and say goodbye to the hotel and the noisy peacocks and off to Day 2.

10am start on the Sunday, so time for a coffee and plan the shorter day - the weather was thankfully cooler compared to Saturday's baking hot temperatures and an early drop of rain was welcome.

I kicked off, following the suggestion above, in the Alchris Audio room, which was a nice surprise. Some lovely gear - they had their TX5 and TX9 speakers on show - just £1,750 and £2,500 respectively. I think the TX5's were doing their thing, but very nice sounding and a bit of a steal given the asking price too. they had a modded Garrard 401 (I think) with 12" tonearm.

Yorkshire AV's room was next and this was my one disappointment of the weekend. They were demoing HiFi Rose with Piega speakers and I really couldn't take to the Piegas at all. Had all the elements that I like - detail, clarity - but the overall "whole" just didn't merge in the way I'd heard moments earlier in the Alchris Audio room, or as the PMCs had done. Nice gear, and maybe this was an issue as much with the room as the speaker, but they just didn't do it for me.

EDIT: I found the price list that Yorkshire AV provided and those Piega speakers were the firm's Coax 411 model. Yours for £7,900. The HiFi Rose Amp and streamer / DAC would set you back a whisker under £7,300 for the pair.

Next up was the second Auden Distribution room, which was a rather smaller affair than their main one downstairs. They had the H400 Hegel amp and same D50 DAC as they'd demonstrated downstairs and going through some Amphion speakers. I like the Finnish brand's design ethos and their gear really looks the part.

I'm not quite so sure the room benefitted the Amphions too much here as the bass was pretty flabby at times. Either way, the guys were doing A/B comparisons between the D50 DAC and the onboard one housed in the H400. The guy played the first piece, which I can't recall, but my impression was the H400 had the nod over the D50 for that track and I mentioned this in my feedback. I think he was a tad surprised (!), but for me the H400 was more direct and had better focus that suited my tasted on the piece. Needless to say we disagreed.

He played a couple more tracks and by now a few more people had arrived. The second track was a more even between the two and the third, a track by Yello this time, the D50 DAC was ahead. Interesting exercise, but I doubt I made a buddy in the Hegel department...!

Next though, things to a turn for the better with a visit to the delightful Dooleys Hifi room which was showcasing some of Fyne Audio's higher end speakers all made in Scotland. This was a really nice setup - Springsteen's Born to Run never sounded better on a deck, and I stayed there for a good while. I didn't get the model of turntable, but the source amp and CD player were Musical Fidelity's battleship NuVista range, while Phono Amp duties came courtesy of one of the Project Phono boxes - not quite sure if it was the DS or RS model (they look pretty similar). Either way, this was one of my favourite rooms of the weekend.

A return trip to the Audio Note room run by the good people at Audiocounsel, which was curtailed yesterday as it was simply far too warm to spend too much time in many of the non-air conditioned rooms. The guy demoing popped on some Louis Prima ("Angelina") on the all Audio Note system. Sorry, no idea which speakers but my word it sounded good.

Talk Electronics / Edwards Audio were up next and this was a great little room - Edwards have upped their range in recent years with new turntables, amps and speakers, also a selection of keenly priced tonearms from the entry-level up. Seriously good and simple setup that worked very well. If I'd had more time, I'd have stayed longer.

Something that made a real difference this year was a better selection of music - sure there were a few rooms that had some very "hifi" type tracks - that close miked vocal, the acoustic bluesy guitar - but nowhere did I once hear Brubeck's" Take Five" (thank God) or the other usual suspects and it was all the better for it.

I dropped into Acoustic Energy's room again for a longer listen to the AE1s and this time was much better - admittedly, they were playing Peter Gabriel's "So" album and you really need to be going out your way to screw that up, but it was an engaging ten minutes listening to Red Rain and Sledgehammer which sounded as good as I'd heard them.

Richer Sounds were showcasing the £1700 Argon Audio Signature turntable in the walnut finish, Martin Logan Foundation F1 speakers and the soon to be released Onkyo P80 networked pre-amp and matching M80 Power amp. Those latter Onkyos really turned my head coming in at around £3,100 or so for the pair, while the preamp alone would be just £1600 or so. Looked a lot more expensive and while I'm a bit Marmite on the turntable, the whole setup sounded great. The preamp might be on the shopping list...

After that, it was another few rooms, but really rather brief visits - Brian and Trevor, which was mobbed on Saturday and thankfully rather quieter on Sunday, were demoing Linn gear which sounded good, albeit some inoffensive elevator friendly jazz didn't tilt me towards staying in my seat for long.

The CAD and Trilogy room upstairs was good, with a room filling sound from relatively standard sized standmounts. Another setup that was nicely balanced audio-wise albeit, again, not cheap.

Lastly, I need to give mention to the Acoustica room - those guys bring the high end to the front door and park it, and credit to them, they had the price list for the gear they were playing on a stand as you went into their room. You might get some change out of £250,000 for their Focal / Naim setup...

Another trip to the record fair in the courtyard and it was time to call it a day. I knew I'd have a long trip back home with roadworks and what became a detour via Wigan and later a downpour near Tebay that made me think a rudder might not be a bad option for the car as everyone slowed right down as the M6 partially flooded briefly. Pitstop in tebay and a visit to the butcher there (fillet steak and lamb shanks in case you're wondering!), then back on the road home, via another break in Moffat for fish and chips as the weather had improved no end.

Purchases? Well, no hifi hardware and all music - Diverse Vinyl had Genesis "Selling England By The Pound" and "The Lamb Lies Down on Broadway" from Analogue Productions on SACD there, so I picked those up (£45 apiece), a nice copy of Pink Floyd's "A Nice Pair" - with the slightly rarer "Phang" sleeve - that was EMI Harvest's pairing of Piper at the gates of Dawn and Obscured by Clouds. The "Almost Famous" soundtrack, William Orbit's "The Painter", Mogwai's "The Hawk is Howling" and Roger Waters "Lockdown Sessions" album that I'd mentioned earlier all on LP.

And that's it for another year. I'll post some photos next, though I'm not sure if there's a limitation, but we'll see how we go.

If you get the chance, do go along. It's a really nice show, heaps of gear on display, I've omitted more than I added and there's always a surprise or two. The hotel's a great venue and the staff are lovely while the exhibitors are a genial bunch and more than happy to chat. Highly recommended.

Until next year then!
 
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They were showing the newer, smaller Kii 7, which are £3,500 each, so £7,000 a pair. The original Kii Three are double that, at around £15k a pair. (I demo’d some Threes with a pal - he was the one buying! - a few years ago, with and without the BXT bass add-ons. Stupendous!)

Yes, it was the new Quad 33 preamp on duty in the Chasing the Dragon room, feeding ATC’s whopping SCM150 Actives I believe. They are also pictured in the disc I bought, so I’m guessing they are Mike Valentine’s own pair that he mixes with.

Thanks, I mixed the two up, you can buy the Seven singly, as one speaker will give you stereo, then add the second as funds allow as the Kii guy pointed out. I'm assuming you get this thanks to the multi-driver arrangement. Clever approach!
 
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After the video interlude above, Sunday for me started at Shrigley Hall Hotel where I'd booked an overnight. Lovely setting and building about 30 mins from Cranage. So, after an early breakfast, it was back in the car and say goodbye to the hotel and the noisy peacocks and off to Day 2.

10am start on the Sunday, so time for a coffee and plan the shorter day - the weather was thankfully cooler compared to Saturday's baking hot temperatures and an early drop of rain was welcome.

I kicked off, following the suggestion above, in the Alchris Audio room, which was a nice surprise. Some lovely gear - they had their TX5 and TX9 speakers on show - just £1,750 and £2,500 respectively. I think the TX5's were doing their thing, but very nice sounding and a bit of a steal given the asking price too. they had a modded Garrard 401 (I think) with 12" tonearm.

Yorkshire AV's room was next and this was my one disappointment of the weekend. They were demoing HiFi Rose with Piega speakers and I really couldn't take to the Piegas at all. Had all the elements that I like - detail, clarity - but the overall "whole" just didn't merge in the way I'd heard moments earlier in the Alchris Audio room, or as the PMCs had done. Nice gear, and maybe this was an issue as much with the room as the speaker, but they just didn't do it for me.

Next up was the second Auden Distribution room, which was a rather smaller affair than their main one downstairs. They had the H400 Hegel amp and same D50 DAC as they'd demonstrated downstairs and going through some Amphion speakers. I like the Finnish brand's design ethos and their gear really looks the part.

I'm not quite so sure the room benefitted the Amphions too much here as the bass was pretty flabby at times. Either way, the guys were doing A/B comparisons between the D50 DAC and the onboard one housed in the H400. The guy played the first piece, which I can't recall, but my impression was the H400 had the nod over the D50 for that track and I mentioned this in my feedback. I think he was a tad surprised (!), but for me the H400 was more direct and had better focus that suited my tasted on the piece. Needless to say we disagreed.

He played a couple more tracks and by now a few more people had arrived. The second track was a more even between the two and the third, a track by Yello this time, the D50 DAC was ahead. Interesting exercise, but I doubt I made a buddy in the Hegel department...!

Next though, things to a turn for the better with a visit to the delightful Dooleys Hifi room which was showcasing some of Fyne Audio's higher end speakers all made in Scotland. This was a really nice setup - Springsteen's Born to Run never sounded better on a deck, and I stayed there for a good while. I didn't get the model of turntable, but the source amp and CD player were Musical Fidelity's battleship NuVista range, while Phono Amp duties came courtesy of one of the Project Phono boxes - not quite sure if it was the DS or RS model (they look pretty similar). Either way, this was one of my favourite rooms of the weekend.

A return trip to the Audio Note room run by the good people at Audiocounsel, which was curtailed yesterday as it was simply far too warm to spend too much time in many of the non-air conditioned rooms. The guy demoing popped on some Louis Prima ("Angelina") on the all Audio Note system. Sorry, no idea which speakers but my word it sounded good.

Talk Electronics / Edwards Audio were up next and this was a great little room - Edwards have upped their range in recent years with new turntables, amps and speakers, also a selection of keenly priced tonearms from the entry-level up. Seriously good and simple setup that worked very well. If I'd had more time, I'd have stayed longer.

Something that made a real difference this year was a better selection of music - sure there were a few rooms that had some very "hifi" type tracks - that close miked vocal, the acoustic bluesy guitar - but nowhere did I once hear Brubeck's" Take Five" (thank God) or the other usual suspects and it was all the better for it.

I dropped into Acoustic Energy's room again for a longer listen to the AE1s and this time was much better - admittedly, they were playing Peter Gabriel's "So" album and you really need to be going out your way to screw that up, but it was an engaging ten minutes listening to Red Rain and Sledgehammer which sounded as good as I'd heard them.

Richer Sounds were showcasing the £1700 Argon Audio Signature turntable in the walnut finish, Martin Logan Foundation F1 speakers and the soon to be released Onkyo P80 networked pre-amp and matching M80 Power amp. Those latter Onkyos really turned my head coming in at around £3,100 or so for the pair, while the preamp alone would be just £1600 or so. Looked a lot more expensive and while I'm a bit Marmite on the turntable, the whole setup sounded great. The preamp might be on the shopping list...

After that, it was another few rooms, but really rather brief visits - Brian and Trevor, which was mobbed on Saturday and thankfully rather quieter on Sunday, were demoing Linn gear which sounded good, albeit some inoffensive elevator friendly jazz didn't tilt me towards staying in my seat for long.

The CAD and Trilogy room upstairs was good, with a room filling sound from relatively standard sized standmounts. Another setup that was nicely balanced audio-wise albeit, again, not cheap.

Lastly, I need to give mention to the Acoustica room - those guys bring the high end to the front door and park it, and credit to them, they had the price list for the gear they were playing on a stand as you went into their room. You might get some change out of £250,000 for their Focal / Naim setup...

Another trip to the record fair in the courtyard and it was time to call it a day. I knew I'd have a long trip back home with roadworks and what became a detour via Wigan and later a downpour near Tebay that made me think a rudder might not be a bad option for the car as everyone slowed right down as the M6 partially flooded briefly. Pitstop in tebay and a visit to the butcher there (fillet steak and lamb shanks in case you're wondering!), then back on the road home, via another break in Moffat for fish and chips as the weather had improved no end.

Purchases? Well, no hifi hardware and all music - Diverse Vinyl had Genesis "Selling England By The Pound" and "The Lamb Lies Down on Broadway" from Analogue Productions on SACD there, so I picked those up (£45 apiece), a nice copy of Pink Floyd's "A Nice Pair" - with the slightly rarer "Phang" sleeve - that was EMI Harvest's pairing of Piper at the gates of Dawn and Obscured by Clouds. The "Almost Famous" soundtrack, William Orbit's "The Painter", Mogwai's "The Hawk is Howling" and Roger Waters "Lockdown Sessions" album that I'd mentioned earlier all on LP.

And that's it for another year. I'll post some photos next, though I'm not sure if there's a limitation, but we'll see how we go.

If you get the chance, do go along. It's a really nice show, heaps of gear on display, I've omitted more than I added and there's always a surprise or two. The hotel's a great venue and the staff are lovely while the exhibitors are a genial bunch and more than happy to chat. Highly recommended.

Until next year then!
Thanks RS for great write-ups. Certainly seems a great venue to visit.
 
Some shots, more or less in order. This was the G Point Audio room on Saturday morning.
 

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Some bits and pieces from the Doug Brady room on Day 1 (more to follow).

Love the new Arcam design. Very sleek!
 

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