manicm said:
Yes some recordings may be made in DSD, well you do know SACD is supposed to be DSD don't you?
How many SACDs do you know not using DSD encoding?
manicm said:
And that's a can of worms. A true DSD recording is a complex affair to get right, and I'll bet there are very few specialist labels which make it worthwhile.
I'm not sure what point you are struggling to make, but I'm not talking about SACD, but DSD.
Yes, there are some labels making very good DSD recordings, and extremely fine they sound too (no cans or worms involved). Try 2L or the San Francisco Symphony's 'own label' as a start.
manicm said:
Sony pushes DSD/SACD to hold onto a last vestige of audio prestige. Apple has made ALAC open source, give it up already Sony. No they won't cos that means lost royalties.
SACD has been often derided here, so now DSD is the new hero on the block. The irony, the irony
The irony, the irony is that you are comparing Apple Lossless (16/44.1) with DSD, which is like comparing apples with almost any other superior-tasting fruit you care to mention.