Hi all,
long time HiFi enthusiast / audiophile and long-term subscriber to WhatHifi in the past too.
The last decent system I put together was the Arcam Alpha 10/10p/9CD with Monitor Audio 703PMC floorstanders - that could rock - and it had the dedicated space to do so !
Currently without separates due to space availability to do it properly (and neighbours), so have been making do with a pair of AKG Y50BTs for the last 10 years, when I get the opportunity to relax. They still impress me, even for a sub-£100 pair at the time, but my budget's higher now and I know there's better out there.
So, I bought a pair of B&W Px7 S3 yesterday... and I am NOT blown away, in the slightest.
Qu: do I have a duff pair, or do I need to give them a chance to warm up a little..?
I've put in around 90 minutes of listening so far, and the main (disappointing) area that is lacking is the bass extension. The AKGs seems to produce a substantially more pronounced (and lower) sub bass frequency response.
For example:
Track 1: Anna Lapwood's version of "Chavaliers De Sangreal" uses one of the lowest pipes on the Royal Albert Hall organ, kicking in at 9secs. On the AKGs you can hear the wavelength wobble and the frequency push through your body (the 20Hz pipe I think it is - the 32footer). On the B&Ws it's almost non-existent.
Track2: Stormzy - "Big For Your Boots" - this track is layered with a sub bass track, starting at 16secs, which on the AKGs is in your face. The B&Ws it seems like an afterthought - you have to zone in to hear it. The extension is just not there anymore.
Track 3: Genesis - "Jesus He Knows Me" - this is great for the studio drumkit replication. The bassdrum (kick) sounds full and solid on the AKGs - the whole kit actually sounding like a kit. On the B&Ws it sounds like someone's stuffed a duvet in it
Track 4: Sub Focus - "Turn The Lights Off" - sub bass riffs kick in around 1'06. Pretty obvious on the AKGs, but not on the B&Ws.
Track 5: Becky Hill “True Colours” – full bass accompaniment eventually kicks in (after a few layers are added) at 1’18, like a sledgehammer. Some real force behind it on the AKGs, yet on the B&Ws sure it’s more refined but the volume of air is just not being pushed in that frequency range at the lower end
Were the Y50s really THAT good.? I know they were a What HiFi 5* Award winner at the time (for a few years if memory serves), but do they still out-extend a current £400 pair that's beating pretty much everything it competes with under a grand !
I have the possibility to return. Should I..? Or should I just wait it out and let my ears adjust to the sound..?
Cheers
Rich
long time HiFi enthusiast / audiophile and long-term subscriber to WhatHifi in the past too.
The last decent system I put together was the Arcam Alpha 10/10p/9CD with Monitor Audio 703PMC floorstanders - that could rock - and it had the dedicated space to do so !
Currently without separates due to space availability to do it properly (and neighbours), so have been making do with a pair of AKG Y50BTs for the last 10 years, when I get the opportunity to relax. They still impress me, even for a sub-£100 pair at the time, but my budget's higher now and I know there's better out there.
So, I bought a pair of B&W Px7 S3 yesterday... and I am NOT blown away, in the slightest.
Qu: do I have a duff pair, or do I need to give them a chance to warm up a little..?
I've put in around 90 minutes of listening so far, and the main (disappointing) area that is lacking is the bass extension. The AKGs seems to produce a substantially more pronounced (and lower) sub bass frequency response.
For example:
Track 1: Anna Lapwood's version of "Chavaliers De Sangreal" uses one of the lowest pipes on the Royal Albert Hall organ, kicking in at 9secs. On the AKGs you can hear the wavelength wobble and the frequency push through your body (the 20Hz pipe I think it is - the 32footer). On the B&Ws it's almost non-existent.
Track2: Stormzy - "Big For Your Boots" - this track is layered with a sub bass track, starting at 16secs, which on the AKGs is in your face. The B&Ws it seems like an afterthought - you have to zone in to hear it. The extension is just not there anymore.
Track 3: Genesis - "Jesus He Knows Me" - this is great for the studio drumkit replication. The bassdrum (kick) sounds full and solid on the AKGs - the whole kit actually sounding like a kit. On the B&Ws it sounds like someone's stuffed a duvet in it
Track 4: Sub Focus - "Turn The Lights Off" - sub bass riffs kick in around 1'06. Pretty obvious on the AKGs, but not on the B&Ws.
Track 5: Becky Hill “True Colours” – full bass accompaniment eventually kicks in (after a few layers are added) at 1’18, like a sledgehammer. Some real force behind it on the AKGs, yet on the B&Ws sure it’s more refined but the volume of air is just not being pushed in that frequency range at the lower end
Were the Y50s really THAT good.? I know they were a What HiFi 5* Award winner at the time (for a few years if memory serves), but do they still out-extend a current £400 pair that's beating pretty much everything it competes with under a grand !
I have the possibility to return. Should I..? Or should I just wait it out and let my ears adjust to the sound..?
Cheers
Rich