lindsayt said:A theme of this year's show was how many fine sounding sub £999 systems there were.
Fine enough to beg the question "Why spend more?"
Plenty of breathtaking bargains such as £100 fine sounding 3 way standmount passive speakers.
Or c£800 fine sounding active 3 way standmounts.
Bet you can't guess who made them, unless you were at the show or have seen the show guide.
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I couldn't make the show this year - sadly - Was it better than Scalford?
And - go on then- please tell me the two sets of speakers - one passive and the other active.
cheers tonky
lindsayt said:A theme of this year's show was how many fine sounding sub £999 systems there were.
Fine enough to beg the question "Why spend more?"
Plenty of breathtaking bargains such as £100 fine sounding 3 way standmount passive speakers.
Or c£800 fine sounding active 3 way standmounts.
Bet you can't guess who made them, unless you were at the show or have seen the show guide.
Go to next years show.QuestForThe13thNote said:Tonky, I’d like to use the analogy used by Jeremy Clarkson to your point that hi-Fi systems can sound breathtaking at £100. He says why should our city speed limits be 20mph when we all drive to the conditions, and why not make the limit 2mph. So similarly, why not say great hi Fi can be bought for £1. Quite ridiculous.
ifor said:ellisdj said:where in the world was it?
The clue is in the title.
I agree it is ridiculous to say these things. But if you're trying to criticise other people effort in researching, matching and finding the right components to achieve such sound. Often building their own amps, speakers, etc and for people to criticise them all without hearing... I really don't know what to say.QuestForThe13thNote said:Tonky, I’d like to use the analogy used by Jeremy Clarkson to your point that hi-Fi systems can sound breathtaking at £100. He says why should our city speed limits be 20mph when we all drive to the conditions, and why not make the limit 2mph. So similarly, why not say great hi Fi can be bought for £1. Quite ridiculous.
QuestForThe13thNote said:Tonky, I’d like to use the analogy used by Jeremy Clarkson to your point that hi-Fi systems can sound breathtaking at £100. He says why should our city speed limits be 20mph when we all drive to the conditions, and why not make the limit 2mph. So similarly, why not say great hi Fi can be bought for £1. Quite ridiculous.
Yes, from trade I only spoke to David from GIK. Very nice guy indeed.ellisdj said:was it a show of the general public systems?
where in the world was it?
insider9 said:I agree it is ridiculous to say these things. But if you're trying to criticise other people effort in researching, matching and finding the right components to achieve such sound. Often building their own amps, speakers, etc and for people to criticise them all without hearing... I really don't know what to say.QuestForThe13thNote said:Tonky, I’d like to use the analogy used by Jeremy Clarkson to your point that hi-Fi systems can sound breathtaking at £100. He says why should our city speed limits be 20mph when we all drive to the conditions, and why not make the limit 2mph. So similarly, why not say great hi Fi can be bought for £1. Quite ridiculous.
I enjoyed my time in the active Linn Katan + sub Exakt room.insider9 said:Linn Exakt didn't disappoint once more. Not sure what I'm missing but standard of the show was really good.
Wigwam folklore is that it all started in a thread where people were complaining about the generally poor sound at trade hi-fi shows.cheeseboy said:...It looked like a great idea for a show, much better than the usual trade style shows - here it's real hifi by real people...
Having used two Minidsp products for both passive speakers and DIY active conversion for good part of last year I have no doubt that Exakt would trample Minidsp. Saying that I believe Minidsp is excellent value for money but in a different league to Linn approach.lindsayt said:I enjoyed my time in the active Linn Katan + sub Exakt room.insider9 said:Linn Exakt didn't disappoint once more. Not sure what I'm missing but standard of the show was really good.
It was like going to an official Linn show demo. Lighting turned down. Playlist decided days in advance being streamed from a laptop.
Sounded fine. Impossible to say how fine as they were playing tracks I've never heard before.
2 doors down was a fine sounding sub £999 active system with a Frankenstein speaker combination and a 2x4 mini DSP HD. The owner had only had the mini DSP for a few weeks and was using it simply as an adjustable active crossover. I'd love to hear this system and meet up with the owner again. To see how he develops it. I'd also love to hear a Linn Exakt vs mini DSP bake off.
QuestForThe13thNote said:I don’t think if you pick the best that the general quality market has to offer, you can do better by picking obscure brands that are meant to compete better with the big boys at a fraction the price. The r and d budgets etc of bigger players are just different class. And it’s wishful thinking you can get the very best at a much lower price and sounding as good.
I like going to the Bristol show and shows like indulgence but the hi Fi connosiuers are few and far between and it’s only human to think that average priced hi Fi does as well as more expensive stuff. What tends to happen is people then blur the lines between bad expensive stuff being not as good (phantom golds spring to mind) and extrapolating it out to all expensive stuff, such they can convince themselves a good £1k hi Fi beats a good £10k one. When you speak to these people they will say stuff like any old speakers, wire, will work with these amps. No.
The Sounds at the trade shows aren’t generally poor, it’s just picking the ones and combinations you like. This scalfold show is too niche, and I don’t buy it being an exhibition of great hi fi. They also tend to be way too anorakey and listen to very smooth sounding music, always have record players, often no digital streaming, and listen to music 20 years too late.