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Just Discovered - Sennheiser HD650

quadpatch

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Mar 28, 2011
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As the title says, I have just discovered the HD650. I've heard it in shops a few times and thought is was just OK, but after trying it on a few different DAC/head amps I am really blown away by them! I know I'm really late to this party and there are a bunch of fans out there thinking I'm crazy for not trying it sooner. I think I avoided it for so long because I thought it was a very safe headphone, not that exciting perhaps. I've heard some people describe it as 'dull', but that's not what I'm getting at all.

I know Jason recently got the HD650 and he's loving them as well, He said that they were great for soundtracks and maybe that's what pushed me over the edge to get them, but wow am I so glad that I did. I am a bit of a soundtrack nut (about 250 CDs and counting - lots of good stuff on Spotify too) and Jason was right on the money with this recomendation, this is by far the best headphone that I've ever heard for soundtracks. The bass is very powerful and the soundstage is just ridiculously good, noticably better than the Beyerdynamic DT880 or AKG Q701!

There is perhaps a little too much bass in this presentation somtimes, but they respond so well to different amps. My favourite so far is the Fostex HP-A3, because of it's soundstage and very tight bass, it's better on the Fostex than the usually amazing Audiolab M-DAC, but I haven't tested many other DAC / headphone amps yet.

It seems like one of the most popular hifi headphones out there, perhaps because of it's relatively modest price (although it seems to be goign up all the time). I see that 58 people have reviewed it on Amazon and 49 of those are 5 stars, that's quite something.

One thing that I would say is that although I haven't had too much time with either headphone yet, the SoundMAGIC HP200 and the Sennheiser HD650 sound similarly interesting. Although the HD650's ability to kick ass with soundtracks is going to take the prize for me.

I was wondering if there are many people interested in the HD650 at the moment? It's been out for a while now and although lots of good things have been said about it I wonder if some assume that it's been bettered by newer and cheaper things. Part of me had assumed that could be the case. Anyway, if you're interested in the HD650, what kind of music would you be most interested in listening to on them? The reason I ask is that I'm thinking about doing a big comparison between 4 of the big open back headphones in this price range soon - Beyerdynamic DT880, AKG Q701, Sennheiser HD650 and the SoundMAGIC HP200. Anyone interested in this?
 
Once again, whathifi dumped my reply text saying "Comment feld required".

I got a 650 in 2003 when I was using the 580, 600, and Grado 325. My new 650 sounded as close to my 600 as two samples of the 600 sound compared to each other, yet I read now that the 650 is very different, and I've never read an account of the transition. In any case, the 650 probably has the most impressive reputation in all of headphone'dom.
 
I received mine yesterday... after much deliberation and i am very impressed already...

I know little about headphones but do have a pair of RS180's for rare moments when I cannot use my whole system. I purchased these HD650's as it looks as though these rare occasions could become more frequent;so I decided to stick with the same brand.

I am currently giving them a good running in via my AV888, Oppo 105, ipad and soundblaster extreme pc card... they sound great with all of them, even now, especially the headphone amp in the Oppo.

Also I was a little worried that because the design is a few years old they may look dated but again I am totally impressed with the finish and the comfortability. They feel like I could wear them for a long period which is what I was after as I will use them for AV and hifi...

:cheers:
 
dalethorn said:
Once again, whathifi dumped my reply text saying "Comment feld required".

I got a 650 in 2003 when I was using the 580, 600, and Grado 325. My new 650 sounded as close to my 600 as two samples of the 600 sound compared to each other, yet I read now that the 650 is very different, and I've never read an account of the transition. In any case, the 650 probably has the most impressive reputation in all of headphone'dom.
Sorry to hear about the text dumping again 🙁. You seem to get that a lot! Out of curiosity which browser do you use?

I saw two articles recently about how people think the HD800 presentation has changed a lot recently. The one I tried was quite noticably light in the bass. People were essentially saying they'd bought a version recently which had quite a bit of body in the bass, which wasn't in earlier versions. I wonder if Senneheiser has done something to the sound profile of these two headphones to address a general leaning in people's preference. You and I seem to prefer a bit of a darker sound it seems to me and I don't think we are alone.

clinton333 said:
I received mine yesterday... after much deliberation and i am very impressed already...

I know little about headphones but do have a pair of RS180's for rare moments when I cannot use my whole system. I purchased these HD650's as it looks as though these rare occasions could become more frequent;so I decided to stick with the same brand.

I am currently giving them a good running in via my AV888, Oppo 105, ipad and soundblaster extreme pc card... they sound great with all of them, even now, especially the headphone amp in the Oppo.

Also I was a little worried that because the design is a few years old they may look dated but again I am totally impressed with the finish and the comfortability. They feel like I could wear them for a long period which is what I was after as I will use them for AV and hifi...

:cheers:
Congrats on the HD650 clinton333! Ha, that's funny, I have the Oppo BDP-105EU here at the moment. I am writing a review for the headphone amp section, but I am blown away by the machine as a whole! I can confirm that the headphone amp section is extremely close to that of the Audiolab M-DAC, which means you're only paying £400 more for an extremely high end Bluray player that really does everything. I can't believe it has four ES9018 DAC chips in it!! I love the Netflix button too 🙂

Apparently it's ideally matched to headphones at 300 Ohms so the HD650 is a perfect match for it. Although I prefer what the Fostex does to the sound it's still a pretty kick ass combination!
 
Use the HD650,s for monitoring purposes at work. Simply brilliant headphones8)

Upgrade the cable,then they really do start to sing!

Cheers.
 
sogophonio11 said:
Use the HD650,s for monitoring purposes at work. Simply brilliant headphones8)

Upgrade the cable,then they really do start to sing!

Cheers.
Nice! I think there is a guy in our office that uses the HD600 for monitoring too, well he is a sound guy, I assume that's what he uses them for. Anyway, which cable do you use with yours btw? I've heard the silver ones can lean out the bass a bit, if so I want one as it's a teeny bit too much for me at times and even the Fostex amp can't keep it completely under control.
 
[/quote]Anyway, which cable do you use with yours btw? I've heard the silver ones can lean out the bass a bit, if so I want one as it's a teeny bit too much for me at times and even the Fostex amp can't keep it completely under control.

[/quote]

I can highly recommend the Toxic Cables products....I have just bought a Silver Viper cable (silver coated copper) for my HD650 but I have read a number of extremely positive reviews on the Silver Poison cable (silver and gold) and in fact I have this cable for my Heir 4.ai, amazing detail and soundstage.

Have a look on Head Fi mate there are loads of recommendations for aftermarket cables for the HD650.

Glad you are enjoying the HD650 and that my recommendation was on the ball as far as soundtracks go. I can also highly recommend them for female vocals....especially Jazz type vocals and also acoustic stuff. Bang for buck they have to be one of best....if not the best headphone in my opinion. Can't wait to hear your opinions of them connected to the Modi / Magni combo
 
Hi quadpatch!

I'm currently in the market for a amp/DAC + cans combo for roughly £500, so I would be very very interested in a comparison with the Q701s ( are the others you mentioned same price range?). I know you got the AKGs very cheap iirc, but they seem to be up to around 250 again ATM.

Slightly OT, but here it goes...

I know the Denon D7000 are more tht twice the price of the Sennheisers ( almost four times if you consider that the HD650 can be had for a little over 250) but I would be interested in a brief comparison of sonic signatures nonetheless. You say the Senns have more bass than the AKGs. Does that mean they sit somewhere in between the AKGs and the D7000?

i randomly stumbled across your review of the Denons, gave them a listen and loved them. But I am new to headphones (Bose and Beats for the daily commute, which seem incredibly dark after having heard the AKGs). so wanna try something cheaper first before I get arrived away. Also, because I have the beats, I don't necessarily need the perfect allrounder. I can always use them for serious bass.
 
Hi Helmut80,

If £500 is your total budget I guess you are happy to go 50/50 between the DAC/amp and headphones. That will open up your options quite a lot. As for your queries about bass strength here is how I would rate a few you might be interested in, in order, least bass heavy first:

AKG Q701

Beyerdynamic DT880

SoundMAGIC HP200

Sennheiser HD650

Denon AH-D7000

The AKG and Denon are quite far on the extremes and can't be compensated for much with amplification, whereas the middle 3 have much more potential to push either way. The AKG is a bit too lean for me these days, as good as it is.

Do you have any idea which DAC/amps you might like?

Oh and btw from the price you suggest for the Denon I think you are looking at the current model (AH-D7100), which is £1000. The AH-D7000 has been discontinued but can be found from £500 second hand.
 
I've been looking through your wonderful list that you have compiled, but tbh, because I am new to this, I don't really know where to start. I should probably narrow it down to 2-3 headphones, and further unless they are similar in how easy a load they are, then think suitable amp. Suede is my Mac mini. Was hoping for 24/192 async, but would probably settle for 24/96. Would an rPac be capable of driving the sennheisers? The Schiit stuff looks tasty, so does the Teac UD-H01 (250 currently and it was down to 150 at some shops a while ago, grrrr). Would also be happy to buy secondhand. I've asked around elsewhere and got the impression that 250 for amp/DAC combo is on the budget end of things, especially if you say the 650s respond positively to better amplification. I just like the idea of a single box (although the Schiit boxes look neat).

Reslly appreciate your input quad. I'd ad a smiley, but I'd just lose my entire post, for s,e reason the ipad struggles with this forum 🙁
 
So...

done a bit of YouTube research. The Beyerdynamics are going on my list, maybe also the Denon AH-D600. Same price as the sennheisers on amazon. Saw an interesting comparison of the denon d600 with the sennheiser hd600 and learned a bit about the differences been open and closed. Have the feeling hat closed is NOT what im after, but would be interested to try them all out now. Maybe bluewater.

Something else important is comfort. I wear glasses and àm yet to try cans that are still comfortable after 30 minutes.
 
Your thoughts are making me think of a million things to say, but I can't type that much and keep my sanity, so I will try to boil it down to a few simple statements, but please feel free to ask as many questions as you'd like.

A few things to note about the Denon's... I haven't tested any of the new range yet (D600, D7100 etc.), but I have lots of very positive experiences with the older ones (D2000, D5000, D7000), if you can find any of those for a good price they should be in the running because they have really great soundstage, comfort and bass while still being very nice in the mids. Now the bass is strong, so I would only advise dropping them from your thoughts if you'd like something less bass heavy. They are all listed as closed, but really they should be called semi-open as far as isolation is concerned - the soundstage is really that good!

The rPAC will drive the HD650 (300 Ohms) absolutely fine, unless you're on a path to destroy your hearing. The rPAC struggles with the 600 Ohm Beyer DT880, but even then only just. I love the rPAC, great with almost everything (nice and smooth in the slightly plump bass), but that didn't make the best synergy to the HD650, the bass of which I personally would like to lean down a bit (considering a re-cable for that too).

All of 5 headphones that I mentioned above are among the most comfortable ones around because they're all large circumaural sized cups that don't touch your ears. Perhaps the least so is the SoundMAGIC because the driver isn't quite deep enough not to press against ears that stick out a bit (like me). Open back headphones with soft felt / velour lilke ear pads are the best for glasses wearers (like me). Leather / pleather like pads tend to try and make a seal and thus squash against the frames of the glasses. Saying that the SoundMAGIC ones are very soft and friendly and the Denon ones seem equally friendly. Here is where I would put them in comfort order:

AKG Q701

SoundMAGIC HP200

Beyerdynamic DT880

Denon AH-D2/5/7000

Sennheiser HD650

The AKG is last because of it's ridiculously shaped headband cushioning, the ear pads are fine, but they also cause squeeking for glasses wearers 🙁. Like I say before the SoundMAGIC is second to last because the drivers don't quite clear my ears, but they are still fantastically comfy and generally well designed. The old Denon models are amazingly comfy for leather pads, just like the £1500 Fostex TH900 (same design), I nearly put them first but the Sennheiser HD650 (or HD600 or HD598) are just that bit better by being fluffy and the open back combined with that means they don't get hot in the summer too!

OK one more thing for now... The best and cheapest async DAC I've tried for around £250 is the Yulong D100 mkII. I think you can pick it up for around £300. It only does 24/96 over async USB but it does do 24/192 via optical and coax. I really need to review this one at some point as it's one of the DAC / amps I've had the longest, but I keep getting distracted. Like the rPAC it's a really friendly sound to many headphones, it's not quite as smooth as the rPAC, but it does warrant the extra cash, just for it's sound quality.
 
Thank you for such a detailed reply, extremely helpful 🙂

Another set of closed phones I've come across today are the Sennehiser Momentums. Might check them out if I get the chance. Did you addition all of yours before purchase or were any bought on a whim?

I'm afraid I have another specific question. How do the 'really good' portable amp/DACs compare to the budget desktop ones (ie <£300). I am specificaly thinking of the Dragonfly, and the brandnew Meridian explorer. So sexy! (on the frontpage of computeraudiophile, and also reviewed by Hifi+ and ToneAudio).
 
You're welcome 🙂. I saw the Meridian Explorer today for the first time, yeah it looks cool. I haven't heard it though, or the Dragonfly (I have heard lots of good things about the Dragonfly though). I guess the big question is: Does being USB powered hamstring a DAC/amp's abilities @ <£300? No I don't think that it does specicially. It can have an effect, but synergy is more important really. For example I find the £300 Fostex HP-A3 is a better match for the HD650s than the £600 Audiolab M-DAC, but that's not the M-DAC's fault, it just pushes the HD650 in the wrong direction. Also I find the £150 Arcam rPAC pushes the HP100 in a better direction than the Fostex HP-A3. Equally I'm not saying that the poorer combinations sound worse than connecting the headphones to a smartphone - no way!

As much as headphones change depending on what you plug them into, I think it's best to get your headphones before you get a DAC/amp.

To answer your other question: Yes I have bought several headphones on a whim, usually based on things I've read and I have mostly been happy. The first one I did that with was the Denon D7000 and I am immensely happy that I chose it now! I actually bought the AKG K550 after an audition and I absolutely hated it when I got it home. Those are two polar opposite cases, I'm not saying that you shouldn't try things, but you do have to be very careful.
 
HD650 seems very sensitive to the headphone amp used and if paired with the wrong one it can sound boring/bland while paired with a suitable one it sounds just great.

I recently tried HD650 with Cambridge Audio DacMagic Plus and Teac UD-H01 head to head, of those two i wastly prefered the sound via UD-H01.
 
This an opinion of the sound engineer Nuffink.

It beats me why people get so confused about headphone impedence.

The loudness of any transducer (headphone or speaker) for a given input is called it's efficiency. It's measured in Decibels per Watt Meter or dB(W/m). It most definitely isn't measured in Ohms.
The impedence of a transducer is measured in Ohms. This tells you almost nothing about the efficiency of the transducer.

If you take two pairs of headphones both with an efficiency of 90 dB(W/m) one having an impedence of 100 Ohms, the other with an impedence of 10,000 ohms and drive them with 1 watt they will produce equal levels of loudness.

The only reason that headphone manufacturers give an impedence rating is that some cheap equipment has a problem with low impedence loads. As the impedence of the headphone drops the amplifier finds it more difficult to supply enough current.

Even the kind of £10 MP3 players they give away with the cornflakes can supply enough current to drive a 10,000 ohm headphone. Plug in a 100 ohm set and the MP3 player will probably go pop.

I've got a pair of Senn HD600's (300 Ohm). An ultra cheapo MP3 player drives them to literally deafening levels. The HD650's (also 300 Ohm) are considerably more efficient due to a neodymium magnet. Sennheiser's tech specs give the efficiency of the 600's at 97 dB and the 650's at 103db. It doesn't say for what input or at what distance but that's marketing departments for you.

The bottom line is that the HD650's don't need a dedicated amp to drive them loud because they're efficient enough.
They don't need a dedicated amp because the have a high enough impedence not to stress the driving amp.
They might well need a dedicated amp because if you're paying for high definition headphones you may as well know that they're being diven by a low distortion amplifier.

There is a relationship, it's just nowhere near as simple as high impedence = low volume. Other things being equal (which they never are) the driving amplifier will pump twice as many watts into half the impedence. So a typical headphone amp that pumps (say) 1 watt into a 600 Ohm headphone will, providing it's up to it, pump 2 watts into a 300 Ohm load, 4 watts into a 150 Ohm load etc. This doubling continues until the amp gives up because it can't supply the current. This is where dedicated headphone amps score (because they can supply the current) and why low impedence headphones are harder to drive.

Now take a look at the efficiency figures on the Sennheiser cans I mentioned earlier. The HD650 is 6dB more efficient. Double the wattage of the amp and you'll get a 3dB increase in volume. So in order to produce the same output as the HD650's my HD600's would need an amp producing 4 times the watts. Yet they have exactly the same impedence - 300 Ohms.
 
And from Rohan some crash course (this one and the above post are to destroy urban myth that the HD-650 are difficult to drive because they are 300 Ohm):

Generally, a properly designed desktop headphone amplifer can drive high and low impedance headphones and can drive headphones of any efficiency.

Do high impedance headphones sound better than low impedance ones?[/b][/b]

No, there are many very good low impedance headphones available and many very good high impedance headphones available.[/b]

In headphones, the sound also depends upon the following:
Frequency response, this is a representation of volume decreasing or increasing with frequency, this is actually the magnetic field pulling and pushing with different amount of force at different frequencies, impedance affects this in complex ways.Distortion[/b], represents the amount of "change" from the actual signal to the real signal (i.e. input signal to output signal).[*]Build and design, i.e. sealed vs. open, etc.Diaphragm design, voice coil design[/b]

To conclude:[/b]

High impedance headphone: requires more voltage but less current[/b]

Low impedance headphone: requires less voltage but more current

Amplfier output impedance: the lower the better for any impedance headphone[/b]

higher efficiency (for example: 102 dB/1 mW) less power required[/b]

​lower efficiency: (for example: 91 dB/mW) more power required[/b]

How they effect sound is dependent on the magnetic field generated and diaphragm construction[/b] (physical response of diaphragm).

We hope this clears the air.

A few notes:

Some people prefer the sound of vacuum tube headphone amplifiers which usually have higher output impedance relative to solid state (transistor) amplifiers, and therefore have poorer damping factor and hence, fuller bass.[*]Voltage is electrical pressure, current is flow of electrons[*]Resistance is constant with frequency, capacitance creates lower impedance at higher frequencies, inductance creates higher impedance at higher frequenciesHeadphone impedance is actually quite complex and different driver designs have different impedances at different frequencies and (to a lesser extent) voltage amplitudeAssumes diaphragm construction to be similar and magnetic field to be similarAssumes linear response at all frequencies (not possible for dynamic driver headphones)Assumes that impedance increases with change in coil characteristics only.[*]Assumes speed of electrons in an electrical circuit is constant, it does not change with voltage or current or power.Other headphone types which do not have a voice coil (for example, those sold by Hi Fi Man, Audeze and Stax) can also characterized by their electrical impedance.
 
Thanks for the info borland! I will go over that a few times and see if it sinks in. Until now I had gone along with Impednace because that seems to be what people often use. I always thought it was very unreliable for communicating efficiency so I had gotten used to just trying to describe it. 😛
 
borland said:
Now take a look at the efficiency figures on the Sennheiser cans I mentioned earlier. The HD650 is 6dB more efficient. Double the wattage of the amp and you'll get a 3dB increase in volume. So in order to produce the same output as the HD650's my HD600's would need an amp producing 4 times the watts. Yet they have exactly the same impedence - 300 Ohms.

The HD650's (also 300 Ohm) are considerably more efficient due to a neodymium magnet.

Both the HD600 and HD650 are listed as having neodymium ferrous magnet systems. The HD650 is described as using better materials but it's not specific and the rest is just marketing fluff (HD600 = for recording classical music / HD650 = emotion + precision)

I managed to find a pair of HD600s at work so I 'borrowed' them for the evening and am now comparing them side by side with the HD650. I'm driving them from the Arcam rPAC at the moment, as I switch I don't notice much difference between volumes, I can just tell that the HD650 is louder, but it's really close.

On a different note: I was prefering the HD650s with the Fostex HP-A3 but the HD600s sound a bit nicer on the rPAC.
 
Utterly enjoying both Sennheisers on the Schiit Modi and Magni!! I am struggling to pick an ultimate favourite between the two Sennheisers actually. The HD600 has a little bit less emphasis in the bass (more neutral) and with most amps I am leaning towards this as slightly superior, but the HD650 really shines with movie scores (of which I am a total nut for) as well as a couple of other genres, so it isn't easy. Here is a photo of the bringers of happiness. These Sennheisers are very plasticy for their price but they're a nice weight and I love seeing the driver assembly, pure bad-ass!

EDD_5761s.jpg
 

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