Ajani said:
I'm not sure what special mastering is required to play on low fidelity devices. Yep, I get that a producer may have a listen to how the mix sounds in his car, but then what? Does he go back to the studio and guess that he needs to boost 3khz range to compensate for something?
No, he doesn't just touch up the 3kHz freq. He boosts the loudness compression to oblivion on the whole album.
Ajani said:
The whole it's not Jazz or classical so it's not a gourmet meal, really sounds like the typical audiophile thought process. What's next? It's not high res, so no point listening to it on anything other than a smartphone?
Bare with me with this theory of mine. Let's not make it in an argument about classes and snobs etc. I'm trying to be logical and mildly entertaining.
Many times I saw audiophiles who are basically rock and pop fans dissing electronic music as something that has no musicianship or talent involved, just neverending ostinatos. Oh the irony.
I think people need to be realistic in their expectations and face the fact that all these popular genres were recorded, produced and mastered with no fidelity in mind except instant recognition and becoming a hit. They didn't even bother to make their own music a lot of the times, and ripped eachother off. Gene Simmons didn't hone his skills like Rostropovich to become rich and famous. He wore makeup and made easy to consume tweener music about procreation. (hint: "Tonight I wanna give it all to you, in the darkness...") If the artist and the studio had no fidelity in mind, why should I? To portray better what? The beat sampling machine in "***** Niggaz" or the echo/reverb machine in "I was made for loving you"? But guess what. I can portray better the natural echo from the concert hall in Boston if I used high fidelity reproduction gear.
IMO we need to stop this whining how the music industry has no consideration for the lowly audiophile. Yes, McDonalds has no consideration for my taste buds or cholesterol levels. If I want better, I'm at the wrong restaurant. A big hint, there is a ketchup bottle on each table (loudness compression).
PS - It's not just classical and instrumental jazz that is made with fidelity in mind, but also a lot of ethnic folk music, world music etc. It sounds wonderfull and worthy of the financial and mental effort of building a good high fidelity system to play it well. How about spoken word, radio dramas, audio books etc.
Roger, If you are reading this, tune to BBC Radio 3 and grow up already!