John Duncan
Well-known member
Alec said:Whatever John. What you seem to want to talk about has nothing to do with what fr0g said, which doesn't call for any help from Popper et al.
Thanks for the education, Your Cleverness.
Alec said:Whatever John. What you seem to want to talk about has nothing to do with what fr0g said, which doesn't call for any help from Popper et al.
Thanks for the education, Your Cleverness.
John Duncan said:Alec said:Whatever John. What you seem to want to talk about has nothing to do with what fr0g said, which doesn't call for any help from Popper et al.
Thanks for the education, Your Cleverness.
It isn't a response to any argument he was making, no. But he mentioned 'reality' and it got me thinking in a different direction. That's all. And in matters philosophical, I'm more of a Kant than anything...
John Duncan said:Alec said:John Duncan said:So reality is only an objective thing? Or does it only make sense as an individual's subjective experience? For example, red is red, but if you're colour blind, your red is not my red. I'm not starting a fight btw, I'm just interested...
Or trying to discuss something about which there can be no discussion. fr0g is entirely right. But you prefer whatever you prefer, and may not be able to hear differences, that's fine. It doesn't matter weather the argument is circular or rhombus shaped, it's still absolutely correct and if otherwise perfectly intelligent people can't see it then...
So inceredibly tiresome.
I wasn't trying to talk about hifi or anything else. I just thought it was an interesting topic for discussion. You know, like perfectly intelligent people do. As for it being something you can have no discussion about, I'm fairly sure that Kant or Popper or any other number of scientific philosophers would disagree.
fr0g said:We're on mixed mental threads here.
chebby said:I guess that - for me at least - radio (particularly BBC radio and even more particularly Radio 4 since I was 17 years-old) carries a lot of 'baggage' with it.
The old televisions and the radiogram (when I was very small in the 1960s) that both had radio built in. Both had valves and large wooden enclosures of course. Also the kitchen radio (that was plugged into a home-made corner enclosure amp/speaker that my father had DIY'ed - probably from a kit some years before - including aerial/antenna on the shed roof).
There was also the car radio (in the Wolseley) that had a large oval speaker set into a wooden surround and was also (almost certainly) valve driven given the car's vintage.
So during my formative years, BBC radio (music from Radio one and two and comedies and 'serials'), ALL emanated from valve driven speakers in large wooden enclosures of one kind or another. So it was all rather 'lush' and smooth and even 'plummy' (as were some of the accents still, at least outside of Radio 1).
The kitchen radio (corner enclosure near ceiling) was replaced during a re-decorate with one of these around the time I was at junior school (I hunted a long time to find a photograph of the exact model) and this became my favourite for a long time. (Lovely tuning scale, lashings of chrome, great sound). I used to love sitting in semi darkness and scanning the frequencies.
Whilst at sixth form college I worked Saturdays at a local hi-fi/TV/radio/records shop and bought (at enormous discount) a gorgeous Roberts R800 radio. Yet again a fantastic sounding, lush, radio with a solid wooden enclosure and a decent amount of chrome! I had that radio for the next 10 years until we replaced it with a Roberts R737 that I had to travel to Harrods to collect in exactly the colour we wanted! (The www was only a few years old and internet shopping hadn't quite yet started.)
Along with stereo FM tuners (from Sony, Yamaha, Rega, Arcam, Naim and now Marantz) radio has always been my most important 'source' and I have an expectation of what it should sound like. (And b@gger the measurements!)
In a perfect world (ok my perfect world) FM would continue forever and I would have a lunking great big Sony ES tuner with loads of lights and polished wood end panels It would feed a factory restored Accuphase (Class A) amp from the same era and speak to me via some big Harbeths in an oak panelled study or library.
I don't care about the measurements, or that the BBC play music from CDs and WAV files (70 - 80 percent of my radio listening is non-musical anyway). Turn off some lights and listen to a well recorded radio play or a live broadcast and it's magical.
TuneIn Radio Pro on my iPhone is rather spiffy (and allows the higher BBC R3 bitrates) and even seems to encourage a bit of 'lushness' that Jazz FM seem to add to their broadcast. (Niiiice...)
DAB is a dog. (Except, for some unaccountable reason, on the Vita R1 Deluxe in the kitchen.)
Freeview radio is better than DAB (and I can record it).
But FM is the King and no amount of Ashleys (with their anti Beeb bias) or fr0gs or oohs will convince me otherwise.
I cannot be argued with on this point in any rational way Even if you are actually right, you will be wrong.
(Exuant with 'Sailing By' playing on a Roberts Radio in the background.)
chebby said:But FM is the King and no amount of Ashleys (with their anti Beeb bias) or fr0gs or oohs will convince me otherwise.
Kevin Stephens said:just interrupting the usual WHF thread degeneration into inter-nicene squabbles to report:
Radio 3 FM Late Junction: SUBLIME
Overdose said:chebby said:I guess that - for me at least - radio (particularly BBC radio and even more particularly Radio 4 since I was 17 years-old) carries a lot of 'baggage' with it.
The old televisions and the radiogram (when I was very small in the 1960s) that both had radio built in. Both had valves and large wooden enclosures of course. Also the kitchen radio (that was plugged into a home-made corner enclosure amp/speaker that my father had DIY'ed - probably from a kit some years before - including aerial/antenna on the shed roof).
There was also the car radio (in the Wolseley) that had a large oval speaker set into a wooden surround and was also (almost certainly) valve driven given the car's vintage.
So during my formative years, BBC radio (music from Radio one and two and comedies and 'serials'), ALL emanated from valve driven speakers in large wooden enclosures of one kind or another. So it was all rather 'lush' and smooth and even 'plummy' (as were some of the accents still, at least outside of Radio 1).
The kitchen radio (corner enclosure near ceiling) was replaced during a re-decorate with one of these around the time I was at junior school (I hunted a long time to find a photograph of the exact model) and this became my favourite for a long time. (Lovely tuning scale, lashings of chrome, great sound). I used to love sitting in semi darkness and scanning the frequencies.
Whilst at sixth form college I worked Saturdays at a local hi-fi/TV/radio/records shop and bought (at enormous discount) a gorgeous Roberts R800 radio. Yet again a fantastic sounding, lush, radio with a solid wooden enclosure and a decent amount of chrome! I had that radio for the next 10 years until we replaced it with a Roberts R737 that I had to travel to Harrods to collect in exactly the colour we wanted! (The www was only a few years old and internet shopping hadn't quite yet started.)
Along with stereo FM tuners (from Sony, Yamaha, Rega, Arcam, Naim and now Marantz) radio has always been my most important 'source' and I have an expectation of what it should sound like. (And b@gger the measurements!)
In a perfect world (ok my perfect world) FM would continue forever and I would have a lunking great big Sony ES tuner with loads of lights and polished wood end panels It would feed a factory restored Accuphase (Class A) amp from the same era and speak to me via some big Harbeths in an oak panelled study or library.
I don't care about the measurements, or that the BBC play music from CDs and WAV files (70 - 80 percent of my radio listening is non-musical anyway). Turn off some lights and listen to a well recorded radio play or a live broadcast and it's magical.
TuneIn Radio Pro on my iPhone is rather spiffy (and allows the higher BBC R3 bitrates) and even seems to encourage a bit of 'lushness' that Jazz FM seem to add to their broadcast. (Niiiice...)
DAB is a dog. (Except, for some unaccountable reason, on the Vita R1 Deluxe in the kitchen.)
Freeview radio is better than DAB (and I can record it).
But FM is the King and no amount of Ashleys (with their anti Beeb bias) or fr0gs or oohs will convince me otherwise.
I cannot be argued with on this point in any rational way Even if you are actually right, you will be wrong.
(Exuant with 'Sailing By' playing on a Roberts Radio in the background.)
DAB is digitally and dynamically compressed and is therefore horribly compromised, FM is much better by comparison. I won't argue with you on that one.
shooter said:It is worse by a considerable margin but interestingly the dynamic range is the same. The process of DAB strips the PCM (CD quality) signal back to MPEG 1 Layer 2, and its a complex one, after that its padded out with zero's to achieve a dynamic range of 71db.
So what your getting is a signal of 1537 padded out to 2048 which equates to 71db dynamic range which is the same as FM radio but FM is 2048 without the padding. PCM is 32768 giving us 96db.
All we need to do now is convert MPEG's 1537 into db's and we have the answer
fr0g said:shooter said:It is worse by a considerable margin but interestingly the dynamic range is the same. The process of DAB strips the PCM (CD quality) signal back to MPEG 1 Layer 2, and its a complex one, after that its padded out with zero's to achieve a dynamic range of 71db.
So what your getting is a signal of 1537 padded out to 2048 which equates to 71db dynamic range which is the same as FM radio but FM is 2048 without the padding. PCM is 32768 giving us 96db.
All we need to do now is convert MPEG's 1537 into db's and we have the answer
Not that the available dynamic range is relevant... I think you'd struggle to find a CD with a dynamic range more than around 20db, most are around 10 or less.
fr0g said:shooter said:I'm confused fr0g,
Me too
You see, thisis where us with a little knowledge get mixed up.Overdose said:I think fr0g meant the dynamic range of the music and not the potential dynamic range of the format?
Or am I confused too?:?
fr0g said:You see, thisis where us with a little knowledge get mixed up.Overdose said:I think fr0g meant the dynamic range of the music and not the potential dynamic range of the format?
Or am I confused too?:?
CD has a potential dynamic range of 96db according to maths.
DAB, Vinyl and FM, less.
A good recording may be anywhere between 8 to 20 or so.
But I haven't a clue what that all means to SNR if anything.
And I am too tired and basically disinterested to look it up although if someone could explain, I'd probably read it. Head too full of Csharp today.
FM may not sound quite as good as CD but that's not the main reason why, even those of us who don't have any hope in hell of hearing 15K+ can tell the differencezeppy said:FM top frequency is 15000-15500 Hz, according to the standard, and CD is 20000.