Been bored today, then the Spyder kit turned up, so I thought i'd have a crack at setting up the Gyro:
TA DA!!!
So, there's my Gyrodec Spyder, with TecnoArm A and Denon DL-103 cart.
However, because it's me and nothing ever can go 100% smoothly, it turns out that I have an outdated Rega armboard, which meant I had to remove the VTA in order to get the arm to screw into place. I thought i'd gotten away with it, as the arm was perfectly parallel to the platter without the VTA. But no. Its a smidge too low. It's fine with thin vinyl, but with heavyweight, the arm lift action doesn't quite clear the arm from the record. So, I have three options:
1: Buy another armplate and spend another £40 (which will take my total spend to around £1200. I could have bought a new Gyro for a couple hundred more!
)
2: Get a recess drilled into the armplate I have, for the VTA to sit in.
3: Get down B&Q and see if I can get a steel washer to use as a spacer.
It's annoying, cos I was so close to getting away with it. I literally need 5mm of extra height! What would you do, boys (and clare
)?
Anyway, onto the important stuff: How does it sound?
Well, My first listen was to 'Introducing the hardline....' - Terence Trent D'arby and it was, well, horrible. Sibilant and tinny and with a tonne of inner groove distortion. Not a nice first impression from this deck that i've waited 7 months to listen to. I honestly was tempted to dismantle it and put my faithful RPM4 back in place! But then I remembered how poo the RPM4 sounded when I first set it up.
So, I had a play around with the cart alignment and that sorted the inner groove distortion out. Carts really don't have to be much out to mess up the sound do they?
With regards to the sibilance and tinniness, I think that was down to the cart. It had been in storage for a long time and I think maybe the stylus was stiff, because, over the course of an hour or so the sound really changed and I started to get an idea of what the 'Dec and a MC cart can do.
I wont go into hyperbole territory, but there's a definite improvement over my previous deck. The RPM4 had a lovely midrange, but the Gyro has more texture to it. However, I couldn't say that it's a massive improvement (I think this is more a compliment to the RPM4, than a diss to the Gyro. That cheap little dec was stonkingly good, you know
).
Where there is a big improvement, though, is on vocals and this really surprised me because the RPM4 with the Shure cart was brilliant at them. The Gyro puts an acre of air around the vocals. It's very impressive.
Also, the low-level detail retrieval is better. The RPM4 showed me more detail than my CDP, and the Gyro has bettered the RPM4. I've heard a couple of parts in songs that I genuinely hadn't heard before, and even with the low-level stuff that I could hear before, the Gyro seems to amplify it and make it clearer to hear.
So, this has been a massive, drawn-out journey and one that won't be finished until I sort the armboard out. But, even so, what I have heard so far from the Gyro has got me grinning.
And, damn it's purty!
TA DA!!!
So, there's my Gyrodec Spyder, with TecnoArm A and Denon DL-103 cart.
However, because it's me and nothing ever can go 100% smoothly, it turns out that I have an outdated Rega armboard, which meant I had to remove the VTA in order to get the arm to screw into place. I thought i'd gotten away with it, as the arm was perfectly parallel to the platter without the VTA. But no. Its a smidge too low. It's fine with thin vinyl, but with heavyweight, the arm lift action doesn't quite clear the arm from the record. So, I have three options:
1: Buy another armplate and spend another £40 (which will take my total spend to around £1200. I could have bought a new Gyro for a couple hundred more!
2: Get a recess drilled into the armplate I have, for the VTA to sit in.
3: Get down B&Q and see if I can get a steel washer to use as a spacer.
It's annoying, cos I was so close to getting away with it. I literally need 5mm of extra height! What would you do, boys (and clare
Anyway, onto the important stuff: How does it sound?
Well, My first listen was to 'Introducing the hardline....' - Terence Trent D'arby and it was, well, horrible. Sibilant and tinny and with a tonne of inner groove distortion. Not a nice first impression from this deck that i've waited 7 months to listen to. I honestly was tempted to dismantle it and put my faithful RPM4 back in place! But then I remembered how poo the RPM4 sounded when I first set it up.
So, I had a play around with the cart alignment and that sorted the inner groove distortion out. Carts really don't have to be much out to mess up the sound do they?
With regards to the sibilance and tinniness, I think that was down to the cart. It had been in storage for a long time and I think maybe the stylus was stiff, because, over the course of an hour or so the sound really changed and I started to get an idea of what the 'Dec and a MC cart can do.
I wont go into hyperbole territory, but there's a definite improvement over my previous deck. The RPM4 had a lovely midrange, but the Gyro has more texture to it. However, I couldn't say that it's a massive improvement (I think this is more a compliment to the RPM4, than a diss to the Gyro. That cheap little dec was stonkingly good, you know
Where there is a big improvement, though, is on vocals and this really surprised me because the RPM4 with the Shure cart was brilliant at them. The Gyro puts an acre of air around the vocals. It's very impressive.
Also, the low-level detail retrieval is better. The RPM4 showed me more detail than my CDP, and the Gyro has bettered the RPM4. I've heard a couple of parts in songs that I genuinely hadn't heard before, and even with the low-level stuff that I could hear before, the Gyro seems to amplify it and make it clearer to hear.
So, this has been a massive, drawn-out journey and one that won't be finished until I sort the armboard out. But, even so, what I have heard so far from the Gyro has got me grinning.
And, damn it's purty!