Of all audio components for the purpose of a different signature, my current impression of a Dac "for Hi-Fi" is that it is a gamble.
I understand that when one uses a PC, telephone, tablet or laptop; a Dac can be useful to bypass eventual sound filters on a soundcard.
I once briefly owned a laptop that had things going that I couldn't disable, as in that there was a compressor running along which I couldn't find a reference to and couldn't disable. Really annoying when that laptop is meant for music production on-the-go. Any Dac for bypassing the bs for a direct output is welcome at that stage.
But other than music production there is the group that uses a dac in hi-fi for filtering out non extremes (like the compressor example is an extreme) and goes for a different preferable sound signature.
As in the logic of the the audiophile that prefers uncolored sound and almost no distortion, but at the same time likes colored sound (tubes) and the "good distortion" it generates. Besides that they prefer marginal signature bumps in the vocal area that gives a speaker its characteristics . Yes I might be one of those who defy logic in this when it comes to Hifi. It is all about personal preference and perception. But it is all a taste-thing and I wear a different hat when it comes to production.
Let's say, Dacs are, or became a thing in this context. How will one ever be able to make a good choice at this level? .
For example
I use an Arylic A50 amp for my 2nd set of Denton 85 speakers. Excellent combination, great little amp. But my main Yamaha amp has this little enhancer setting that spices up the mids and has a similar effect to a valve amp. I also discovered a minor signature difference in slightly noticable groovier bass which I prefer when I use the PS3 as a source to the Yamaha amp. Sony seems to have it worked out well with their internal dac if I read about it online.
Not that I am planning to. But let's say I would like to find a dac to add a fine signature and has an optical-in with rca out to feed it to the amp.
Couple of questions
- How will I ever know if it improves anything?
-How do I know that it would at all be an improvement on forehand?
- How is a dac here different from a pre-amp?
-What is a "can't go wrong" dac for a reasonabe budget price
And last but not least. How to discover "synergy" between a dac and an amp? Between speakers and amps this is doable analysis from measures and specs but dacs seem to be a different game.
As someone using a dac for hifi can probably notice if there are probably many stupid questions and asumptions, but let's give it a try
I understand that when one uses a PC, telephone, tablet or laptop; a Dac can be useful to bypass eventual sound filters on a soundcard.
I once briefly owned a laptop that had things going that I couldn't disable, as in that there was a compressor running along which I couldn't find a reference to and couldn't disable. Really annoying when that laptop is meant for music production on-the-go. Any Dac for bypassing the bs for a direct output is welcome at that stage.
But other than music production there is the group that uses a dac in hi-fi for filtering out non extremes (like the compressor example is an extreme) and goes for a different preferable sound signature.
As in the logic of the the audiophile that prefers uncolored sound and almost no distortion, but at the same time likes colored sound (tubes) and the "good distortion" it generates. Besides that they prefer marginal signature bumps in the vocal area that gives a speaker its characteristics . Yes I might be one of those who defy logic in this when it comes to Hifi. It is all about personal preference and perception. But it is all a taste-thing and I wear a different hat when it comes to production.
Let's say, Dacs are, or became a thing in this context. How will one ever be able to make a good choice at this level? .
For example
I use an Arylic A50 amp for my 2nd set of Denton 85 speakers. Excellent combination, great little amp. But my main Yamaha amp has this little enhancer setting that spices up the mids and has a similar effect to a valve amp. I also discovered a minor signature difference in slightly noticable groovier bass which I prefer when I use the PS3 as a source to the Yamaha amp. Sony seems to have it worked out well with their internal dac if I read about it online.
Not that I am planning to. But let's say I would like to find a dac to add a fine signature and has an optical-in with rca out to feed it to the amp.
Couple of questions
- How will I ever know if it improves anything?
-How do I know that it would at all be an improvement on forehand?
- How is a dac here different from a pre-amp?
-What is a "can't go wrong" dac for a reasonabe budget price
And last but not least. How to discover "synergy" between a dac and an amp? Between speakers and amps this is doable analysis from measures and specs but dacs seem to be a different game.
As someone using a dac for hifi can probably notice if there are probably many stupid questions and asumptions, but let's give it a try
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