Hello. I have the MA RS6 with Arcam AVR350. Now I need good cables, but don't know if it's worth the biwiring.
I read this article recently:
One thing that happens when you biwire your loudspeakers is that the input of the high- and the low-pass filters are fed with different input signals. The difference is a result of the high frequencies and the low frequencies being forced to travel different paths, perhaps through different types of cables, but under all circumstances through cables who have seen different loads (a tweeter with a high pass filter has a completely different impedance response compared to a woofer with a low pass filter!).
What happens is that the drivers will work less good together than when their filter halves were fed with equal signals. The result is a generation of more static and stochastic phase error sounds at different directions from the loudspeaker. The stochastic phase error sounds appear because there may be different types of unlinearities in the low- and high-frequency paths.
What does this sound like? Well, usually, just as you may expect from physics, it appears as a change in the reproduction of space and sound stage. Often, the first impression is that the "biwired" sound presents extended "dimensions", more "air", and is more "living". The impression after a week or month, however, is that all recordings sound very much alike, and the "airiness" appears on all records. It does not even sound like air anymore, instead more like a slime that pollutes every record you play. No wonder, since it is not a real, recorded quality but a "speaker characteristic" added to all reproduced material. "Sameness" is another word for it.
So, maybe not so that good to bi-wire. What are your thoughts?
The site is http://www.sonicdesign.se/biwire.html
Thank you
I read this article recently:
One thing that happens when you biwire your loudspeakers is that the input of the high- and the low-pass filters are fed with different input signals. The difference is a result of the high frequencies and the low frequencies being forced to travel different paths, perhaps through different types of cables, but under all circumstances through cables who have seen different loads (a tweeter with a high pass filter has a completely different impedance response compared to a woofer with a low pass filter!).
What happens is that the drivers will work less good together than when their filter halves were fed with equal signals. The result is a generation of more static and stochastic phase error sounds at different directions from the loudspeaker. The stochastic phase error sounds appear because there may be different types of unlinearities in the low- and high-frequency paths.
What does this sound like? Well, usually, just as you may expect from physics, it appears as a change in the reproduction of space and sound stage. Often, the first impression is that the "biwired" sound presents extended "dimensions", more "air", and is more "living". The impression after a week or month, however, is that all recordings sound very much alike, and the "airiness" appears on all records. It does not even sound like air anymore, instead more like a slime that pollutes every record you play. No wonder, since it is not a real, recorded quality but a "speaker characteristic" added to all reproduced material. "Sameness" is another word for it.
So, maybe not so that good to bi-wire. What are your thoughts?
The site is http://www.sonicdesign.se/biwire.html
Thank you
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