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JMacMan said:
I think you'll find there are degrees of tranalucency inbetween: transparency and opacity are just the extremes.
Transparent is not the same thing as translucent.
Something may be both translucent and opaque, according to the degree of those qualities, but transparency excludes both.
JC
Something may be both translucent and opaque, according to the degree of those qualities, but transparency excludes both.
JC
I don't think translucency has anything to do with HiFi, and I'm not sure about opacity either.
Transparency is an allusion, rather than an illusion, with reference to audio perception.
JC
edit: typo
Transparency is an allusion, rather than an illusion, with reference to audio perception.
JC
edit: typo
There are degrees of opacity, just as there are degrees of translucency.
If something trasmits 50% of incident light, it is 50% opaque, and translucent.
In the context of the OP, and thread title, 'Audibly transparent' means changes caused to the sound are undetectable by human hearing.
So, 'transparent' must be a 100% condition, in that context.
JC
If something trasmits 50% of incident light, it is 50% opaque, and translucent.
In the context of the OP, and thread title, 'Audibly transparent' means changes caused to the sound are undetectable by human hearing.
So, 'transparent' must be a 100% condition, in that context.
JC
chebby said:
Chebby, that is an absolutley sublime post. Thank you.
I thoroughly enjoyed reading it, and felt you have (as can best be) described the whole relationship between music, hifi and personal taste beautifully. The mix of those three things is why we are all here: sat down in front of our selected hifi components, with our chosen media source (CD, vinyl etc) and music selection (soul, electronica, rock) the combination is absolutely limitless, as is the very personal 'sound' or 'tone' we are looking for.
I find the whole transparency debate interesting, and it certainly makes sense on paper. But that doesn't mean it (whatever true transparency is) makes sense to the ear. My personal taste is to enjoy a warm lower end with crisp (but not shrill) highs. This is why I always come back to Marantz/Rotel and B&W speakers, as they seem to cater to my taste well. Is this sound classed as outside the tolerances of 'transparent'? I have no idea on the technical analysis of these components, but I do know that anything too clinical, too clean leaves me cold. I, and many more of us look for character, and if sometimes that can be put down to marginal non-transparency, then meh.
The pursuit of perfection, transparency or anything else it can be labelled as in hifi, is entirely paradoxical. Coming back to Chebby's analogy to furniture, the pursiut of transparancy to me sounds like aiming to make a chair made from completely perfect, uniform grain hardwood, machined on every face to within thous of an inch and put together by a computer program. A chair made with gnarly, imperfect wood and cobbled together by a one-eyed carpenter may not be perfect, but more appealing in every way. Horses for courses.
If the ultimate goal was for components to be made as neutral and clean as possibly and they ALL achieved that, where would be the fun in system pairing to bring out the character (flaws to some perhaps) to create that unique sound.
jcbrum said:
Ah right – so you can degrees of one absolute, but not degrees of its opposite. Glad we optimised the pellucidity of that one... 8)
Covenanter
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In relation to sound there is a clear definition:
"Of sound: clear, not blurred; without tonal distortion. " Shorter Oxford Enlsih Dictionary
Chris
"Of sound: clear, not blurred; without tonal distortion. " Shorter Oxford Enlsih Dictionary
Chris
Covenanter said:
Personally, I'm wary of quoting definitions like this from dictionaries. Dictionaries follow general usage which often changes over time and, of course, words often have many subtly different meanings.
I would say that transparent, in the context of this discussion, is very slightly different to that definition.
Andrew Everard said:
Are you trying to write in clear english, Andrew ?
If people cannot properly understand the meaning of 'transparent', in an audio context, then you don't stand much chance with 'pellucid'.
:?
JC
chebby
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Pronunciation: Brit. pellucid adj. + -tās (see -ty suffix1; compare -ity suffix). Compare earlier pellucid adj.The quality or condition of being pellucid; transparency, clarity, lucidity. Now chiefly fig.
1642 H. More Ψυχωδια Platonica sig. E, Nor did 't take in through pellucidity The penetrating light.1703 Philos. Trans. 1702–03 (Royal Soc.) 23 1332 The mistake lies in the pellucidity and fineness of those Pipes, which do most certainly touch the surface of the Sea before that any considerable motion be made in it, and that when the Pipe begins to fill with Water it then becomes opake and visible.1756 C. Lucas Ess. Waters i. 35 Our Thames..preserves her purity and pellucidity.1807 Philos. Trans. (Royal Soc.) 97 313 From the perfect pellucidity of this water, its softness, and the absence of any obvious saline taste, I was led to suppose that it was uncommonly pure.1868 H. H. Milman Ann. St. Paul's Cathedral xviii. 463 With an incomparable ease and pellucidity of language.1904 Polit. Sci. Q. 19 124 Senator Hoar's work, while in general a paragon of pellucidity, leaves nevertheless one distressing uncertainty in the reader's mind.1949 Eastern Surv. 18 35/2 He offers us a marvel of pellucidity and Western cadences as a replica of something Chinese.1999 N.Y. Times 29 Aug. ii. 1 He is writing about jazz, about a musician making music, doing it with knowledge and pellucidity.
1642 H. More Ψυχωδια Platonica sig. E, Nor did 't take in through pellucidity The penetrating light.1703 Philos. Trans. 1702–03 (Royal Soc.) 23 1332 The mistake lies in the pellucidity and fineness of those Pipes, which do most certainly touch the surface of the Sea before that any considerable motion be made in it, and that when the Pipe begins to fill with Water it then becomes opake and visible.1756 C. Lucas Ess. Waters i. 35 Our Thames..preserves her purity and pellucidity.1807 Philos. Trans. (Royal Soc.) 97 313 From the perfect pellucidity of this water, its softness, and the absence of any obvious saline taste, I was led to suppose that it was uncommonly pure.1868 H. H. Milman Ann. St. Paul's Cathedral xviii. 463 With an incomparable ease and pellucidity of language.1904 Polit. Sci. Q. 19 124 Senator Hoar's work, while in general a paragon of pellucidity, leaves nevertheless one distressing uncertainty in the reader's mind.1949 Eastern Surv. 18 35/2 He offers us a marvel of pellucidity and Western cadences as a replica of something Chinese.1999 N.Y. Times 29 Aug. ii. 1 He is writing about jazz, about a musician making music, doing it with knowledge and pellucidity.
Andrew Everard said:
Hmmm, then you're probably being successful at not trying to write in clear english.
:roll:
JC
Covenanter
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Phileas said:
Yes but unless we have a common understanding of what a word means then using that word is pointless.
Perhaps WhatHiFi could publish a short glossary of the terms that they use in reviews so that we can have a common understanding!
Chris
I quoted a scientific definition of "Audibly Transparent" in the first post of this thread.
In the context of this thread, my understanding of the definition is: A component without audible distortion. All audibly transparent components will sound identical. Once a component can be classified as audibly transparent, further improvments to performance are inaudible.
Perhaps someone with a better command of the English language could have a go at improving this definition.
My view is a large number of components fall in to this category, that is, most: speaker cables, analogue and digital interconnects, DACs, pre-amps, and SS power-amps. I am amazed that no review has ever found any two components that sound the same.
In the context of this thread, my understanding of the definition is: A component without audible distortion. All audibly transparent components will sound identical. Once a component can be classified as audibly transparent, further improvments to performance are inaudible.
Perhaps someone with a better command of the English language could have a go at improving this definition.
My view is a large number of components fall in to this category, that is, most: speaker cables, analogue and digital interconnects, DACs, pre-amps, and SS power-amps. I am amazed that no review has ever found any two components that sound the same.
Actually, I think the definition in the context of the OP is quite, well, transparent. This thread should not be confused with the other one directed at WHF reviewers.
Edit: I see WR beat me to it.
Edit: I see WR beat me to it.
Singslinger said:
.......I take it that you mean, "around the world we go", but it seems to take a lot less than the usual 80 days. :twisted:
This is a quote from a blog and I feel relevant to a discussion of what might be audibly transparent vs. the view that 'huge night and day differences' exist between components such as speaker cables.
Google "Steve Zipser Yamaha Pass blind" to learn about the most public debunking of audiophool myth about the "sound" of electronic parts.
To summarize, a loudmouth Miami audio dealer was unable to tell the difference between flagship Pass amps and a humble "mid-fi" Yamaha integrated amp when biases were controlled, though he obviously heard big differences when he knew that what was playing because he was listening to his biases and not the music. This comparison took place in the dealer's own reference system in his own home, with his own musical selections he picked because he thought they clearly revealed "differences" in amp "sound."
There's plenty more out there like this if you care to look.
Google "Steve Zipser Yamaha Pass blind" to learn about the most public debunking of audiophool myth about the "sound" of electronic parts.
To summarize, a loudmouth Miami audio dealer was unable to tell the difference between flagship Pass amps and a humble "mid-fi" Yamaha integrated amp when biases were controlled, though he obviously heard big differences when he knew that what was playing because he was listening to his biases and not the music. This comparison took place in the dealer's own reference system in his own home, with his own musical selections he picked because he thought they clearly revealed "differences" in amp "sound."
There's plenty more out there like this if you care to look.
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