Atoll IN 300 Amplifier - Anyone got / heard one?

Witterings

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Sep 17, 2020
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Interested in any feed back anyone may have on the IN 300 in general, if you've bought one and if so what you had before and what else you compared it against or anyone that auditioned it and bought something you felt was better and if so what you bought instead / preferred and why.

Also does anybody know anything about their relability and customer service.

There's generally not a lot of information about them which is a little concerning as they don't seem to have a lot of uptake, the only review I can find is by The British Audiophile but the way he drops Hegel's name into everything he does it wouldn't surprise me if Hegel sposored him but I could be totally wrong about that
 
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I don't own one because I went with something else but a couple of years ago the Atoll was on my short list. Plus the Yamaha AS1200, the Arcan SA30 and the Advance Paris A12. I ended up getting the latter but it was not an easy choice. I thought the Atoll was brilliant and probably more technically accurate than the the A12 but the Advance is more to my liking. Soother, lots of power that just flow and a sound signature closer to what I grew up with, more like a really good Pioneer from the 80s.

I sometimes wonder if I shouldn't have gone for the Arcan, that's a fast, bold and powerful amp. The Yamaha is excellent too and gorgeous. Less smooth and a bit colder. And the Atoll would probably be my pick if I hadn't come across the A12.

Atoll is a very well established brand widely distributed, at least in Europe. It's not a small internet micro-brand that is here today and gone tomorrow. Their stuff is designed AND built in France. It's as solid as a Rega is in the UK.

There's a very good youtube video comparing them with (at the time) live sound from Alpha Audio in the Netherlands. You might find it useful to at least have an idea of the general gist of each one:
View: https://www.youtube.com/watch?v=edlcIMv9uB4


PS: Tarun (British Audiophile) is one of the best reviewers IMO, I would trust him. The thing is he has a very specific idea of great sound, so you need to watch a few of his videos, especially of something that you already know, to see where he is coming from. The Hegels are a bit too dry and clinical for my taste but he runs Harbeth speakers and a Denafrips Venus 2, so that can very well be a very good combo.
 
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I just wondered how an Atoll IN300 would sound via ATC SCM19 speakers? Any one with Atoll & ATC speakers I would love to hear your thoughts on the sound playing various genres of music...
 
I just wondered how an Atoll IN300 would sound via ATC SCM19 speakers? Any one with Atoll & ATC speakers I would love to hear your thoughts on the sound playing various genres of music...
Just came upon your post so you might have already bought something, I auditioned the Atoll against a Rega Aethos earlier this year the Atoll was nice and it was a close run thing but there was something about the sound from the Aethos that I preferred it sounded more musical and a bit warmer than the Atoll which was more of the type of sound I prefer.
 
Just came upon your post so you might have already bought something, I auditioned the Atoll against a Rega Aethos earlier this year the Atoll was nice and it was a close run thing but there was something about the sound from the Aethos that I preferred it sounded more musical and a bit warmer than the Atoll which was more of the type of sound I prefer.

Cheers for that, I did actually have a home trial of one and whilst I thought it was overall a great amp, the main reaon I was looking to possibly change was to see if a high current amp / seperate power supplies was better for low level listening than my Arcam SA 30 and there wasn't any real difference.
I may possibly have been tempted to change anyway but the cost of doing so didn't warrant the marginal improvement and whilst it gave greater seperation between the left an right speakers in my room they're too wide apart so almost didn't sound right but with better positioning would probably sound amazing.

Anyone thinking of buying one I'd definitely recommend a listen and if choosing between the two from new, if had better positioning of my speakers I'd take the Atoll over the Arcam .... but only just.

Would certainly like to hear an Aethos as hear good things about them although subsequent to my test my car engine blew so not much budget for hifi upgrades a the moment.
 
Revisiting this thread…
I’m amp shopping.
Luxman
Aethos
Atoll
Exposure
Hegel

The IN300 is incredible value for its spec and also online reviews suggest it’s a belter….
I’ve also been told it closely resembles the presentation of NAIM, but loook for confirmation…

The AETHOS is the one I can’t shake but I can’t get a demo…
 
Revisiting this thread…
I’m amp shopping.
Luxman
Aethos
Atoll
Exposure
Hegel

The IN300 is incredible value for its spec and also online reviews suggest it’s a belter….
I’ve also been told it closely resembles the presentation of NAIM, but loook for confirmation…

The AETHOS is the one I can’t shake but I can’t get a demo…
You might look at adding Electrocompaniet eci6 mkii to your impressive list....not the dx version though, you want to add your own streamer /dac etc. This is the amplifier in it's purest form and is stable right down to 2ohms.
 
Revisiting this thread…
I’m amp shopping.
Luxman
Aethos
Atoll
Exposure
Hegel

The IN300 is incredible value for its spec and also online reviews suggest it’s a belter….
I’ve also been told it closely resembles the presentation of NAIM, but loook for confirmation…

The AETHOS is the one I can’t shake but I can’t get a demo…

They certainly are good amps, the Aethos was one of the others I kept hearing positive things about, the only negative a lot of people voiced is the changes in volume moving the dial were too large and you'd often want something in between .... there was also something about the remote control people didn't like.

That said there wasn't one negative comment about its sound.
 
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The ATOLL looks a million times better built though, and has twin toroidal dual mono design… loads more wallop

For sure and that's what attracted me to home trialling one but I also take into account a consensus of people's opinions and there are many more users who have the Aethos so it's much easier to get a gauge of general opinion.

That's not a judgement on one vs the other by the way as I've not compared the Aethos but I'd be a bit stupid not to take a broad number of opinions into account.

Only real way to tell would be a home trial of both and also looking at the warranty / customer service etc., not sure how well supported Atoll are??
 
I am selling the EVO150…it’s been a great servant and done us proud…….
MY EXA EXN combo is now in the snug, replacing the EVO. Pairs brilliantly with, really really well with the PMCs… Delighted with that now….
I now need to build a system to accompany my easily driven AlChris TX9s in our main living room….

The ATOLL is not available to me for demo…. I did speak to Harrow Audio about the 300 and 400 and they were super impressed with both compared to the AETHOS….

It’s also notable that the IN300 EVO can be had for around £2500, much cheaper than the AETHOS and arguably nicer built….. Certainly cosmetically to my eyes….
 
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I have little brother Atoll IN100 dual mono power supply.
What ever I throw at it the music sounds so so good. These babies make the Dali Oberon 3s sing!

Someone noted, it's the French 🥖 equalevent of the British Rega and much more.

If you listen to a British Audiophile review of the IN400 Evo, (a 5k amp, not asking you to spend over your budget!), he has high praise for it, he kind of alluded to it being better than his reference Hegel.

Atoll likes to beef up on the toroidal power supplies across all their models from the humble 50 right up to the majestic 400.
If you find a dealer near you, worth booking a demo.
 
I’m not a huge fan of the HEGEL…
They look very bland but do sound good…I also worry, spending £5k plus on the H400 the longevity, reliability and obsolescence compared to a simple analogue amplifier…..

I’ve heard the 150 and 400 recently into some lovely FYNE F700s… They had a very even pleasant presentation…
 
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I’m not a huge fan of the HEGEL…
They look very bland but do sound good…I also worry, spending £5k plus on the H400 the longevity, reliability and obsolescence compared to a simple analogue amplifier…..

I’ve heard the 150 and 400 recently into some lovely FYNE F700s… They had a very even pleasant presentation…
I am following your progress over at Naim too. If you want a simple integrated with power, from a reputable long established manufacturer which will likely still be here in 20 years and which makes things in house with the resulting back up if things go tits up ... Rega and Naim (your original choice).
 
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@The_Lecht_Rocks

I was looking for something completely different in my drafts and stumbled across this which I wrote ages ago and thought it might be useful as it was my thoughts at the time .... I think someone DM'd me asking what I thought about the Atoll and it was the reply I sent.
The only one thing I'd possibly change the comment about now is the width of Soundstage, I'm not totally convinced now it's due to being dual mono as when I tried a Chord Qutest (albeit 6 months later so not an immediate comparison but it stood out enough) - it did the exact same thing with the Soundstage so may have more to do with the DAC onboard the Atoll.

I managed to get one on a home demo and I have to say overall I think it's a brilliant amp and as there's so little information on them out there thought I'd do an amateurs review in case other people are trying to find out more about them.

My motivation, I have an Arcam SA30 and whilst I appreciate no system performs well at really low volumes, as that’s the level of a lot of my listening, wanted to see if I could better the SA30’s ability.

To the IN300 vs the Arcam I was using an amp switch and 2 X's WiiM Pros in a multiroom config with coax out from each using the amps onboard Dacs feeding a pair of ProAc D20R's.

I used my ears to set various different listening levels from quiet to loud so I could easily adjust from one to another and then went back over them with a test tone and decibel app on my tablet and adjusted if needed.

Firstly just to cover this it didn't actually improve the low level listening at all, if anything I wonder if the Arcam would possibly come out on top BUT any difference would be so minimal and potentially down to other factors which I'll try and cover below.

I'll also highlight my "correct wording" may not be the best, whilst I've been a musician from a young age and have always had "reasonable" quality systems it was only about 1 1/2 yrs ago I became what I'd call an audio enthusiast (partially because I hate the term audiophile) ..... combined with me wanting a great system is to enjoy the music at it's best rather than being obsessed with the equipment ... although the two tend to go hand in hand to a degree.

Whilst I've always had a good ear and my own words to describe, I had to google the meaning of common terminology such as soundstage and imaging so I could use the right words with what I was trying to say and others would understand ... taking that into consideration I'll try and describe as best I can.

The very 1st thing I noticed was how “tight” absolutely everything was, if I was to take just the bass as an example, the Arcam would appear to have greater bass weight on 1st impressions but you very quickly realise it’s not that the Atoll has less but it’s just more controlled and exact and this follows through to the mids / vocals and highs as well.

This may be where I say the Arcam possibly “appeared” to sound better at low volume as there’s bleed / overlap from the mid bass to the vocals which at very low volumes possibly seemed to create a “fuller” overall sound but the Atoll gave greater individual imaging at these levels.


As you increase the volume you start to really hear the “richness” and warmth / body of every note the Atoll has to offer, if I’d ever read some using those words as descriptives, I’d immediately think it sounded muddy but this couldn’t be further from the truth, it’s a tone you just become memorised by but with absolutely no loss of separation / detail … it’s like a big hug of musicality that’s hard to describe and as you got up to considerably higher volumes I hate to way it but it’s where it left the Arcam in it’s wake.

The 2nd thing you notice is how much wider the soundstage is, not that I’ve ever heard a pair of mono blocks before but from everything I’ve read and youtube reviews I’ve seen is a specific characteristic they have with very strong separation between the left / right and detail of each channel and certainly the Atoll with it’s twin power supplies did exactly that.

Now for my room …. This didn’t work quite so well for me as unfortunately it’s a family room so others have to be taken into consideration and my speakers are incredibly wide apart, I’ve spent ages toeing them to suit the Arcam, if I had a longer trial I’d have changed the toe in / out and I’m sure this would have resolved it, even better would be the option to place them closer together, as the 300 has more detail I also wonder of this may have resolved the lower listening aspect as well


Had my neighbour who’s a much greater audio buff than me, his equipment is Meridian amp / CD and speakers that I believe What HiFi used as their benchmark for many, many years (he commented on putting the speakers closer together and I said the wife won’t be able to see the TV …. His response was …. AND?? 🤣🤣



I think in an overall comparison, it has made me realise that the Arcam was an incredible amp at it’s price point but I can’t help but feel they did themselves an injustice (shot themselves in the foot) by not being all over the software issues much sooner.

Even taking that into consideration I can’t help but feel if I was in a demo room and A / B ’d them, despite the price difference would have felt it was a one horse race and gone home with the Atoll as the richness and warmth without any muddiness and is hard to describe, just draws you in.

Before choosing amps to put up against the Arcam I spent ages researching, more in forums than reviews several amps around the same price point / more and there seemed to be “great” comments mixed with negatives that characterised so many of the main brands that made me steer clear ….

Naim … seems to be the marmite, people love or hate but a lot of comments about being too bright

Hegel … generally popular but a lot of comments about being dry

Rega … probably the only other I was really tempted to try, seems a lot of love for their musicality and a big fanbase, a lot of them maybe vinyl bias but comments about too revealing of bad recordings and don’t match with “bright” speakers tended to put me off.

Anybody out and auditioning amps in this price bracket, I’d highly recommend you put this very high on the audition list as I think you’ll find it hard to beat without spending considerably more

Hopefully that's pf some help to you.
 
Yep, it’s pretty much what I’d expect.
The ATOLL is one helluva bargain with its twin 440VA toroidal set up and willl offer some amount of current……..
I’ve slipped my NN50 back into my study, whipping my ATCs with a supremely crisp,and controlled dynamic.
I’ve moved my EXA100 into my snug and it’s hod the most glorious grip and warm fast and tight grip of my PMC…. The tonal realism and musicality is superb and it’s not cost me anything to relocate it into my snug.
This leaves my TX9s ampless ( hooked to my EVO which is up for sale) and I want something into the TX9s to really grip the drivers and produce a musical experience… But the ribbon tweeter is very very detailed and the amp must match the complete speaker ability…..
I’ve far too many choices all the way to a Luxman L509z….
 
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Yep, it’s pretty much what I’d expect.
The ATOLL is one helluva bargain with its twin 440VA toroidal set up and willl offer some amount of current……..
I’ve slipped my NN50 back into my study, whipping my ATCs with a supremely crisp,and controlled dynamic.
I’ve moved my EXA100 into my snug and it’s hod the most glorious grip and warm fast and tight grip of my PMC…. The tonal realism and musicality is superb and it’s not cost me anything to relocate it into my snug.
This leaves my TX9s ampless ( hooked to my EVO which is up for sale) and I want something into the TX9s to really grip the drivers and produce a musical experience… But the ribbon tweeter is very very detailed and the amp must match the complete speaker ability…..
I’ve far too many choices all the way to a Luxman L509z….
What....your looking to spend 11k on a amp......that Luxman is massive..lol....my mate has the 507z....it's a cracking amp and rather large for a integrated .it's 8k...and not worth the extra £££££'s in sound quality compared to my Electrocompaniet.....but it's a beautiful thing...you pays your money and all that stuff.....and if you're in this bracket for Amplifiers and Speakers....your sources need to up there game....seriously....I'm looking at your signature...you should be looking at .separate streamer transport and dac if you want to get the best from a big amp upgrade.
 
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