BigH said:No putting the sound through tone controls degrades the quality that why so many of the more expensive amps do not have them.
12Designs said:So they do make them like they used to. A drop dead gorgeous piece of kit IMO. Would love to hear one...
I wonder how well it would drive a pair of ATC SCM 19s?
12Designs said:I will add this to my short list of amplifiers to listen to when I upgrade along with the Perreaux Audiant 80i and ATC SIA 2-150
chebby said:12Designs said:I will add this to my short list of amplifiers to listen to when I upgrade along with the Perreaux Audiant 80i and ATC SIA 2-150
Haven't ATC discontinued the SIA 2-150 ?
CnoEvil said:chebby said:12Designs said:I will add this to my short list of amplifiers to listen to when I upgrade along with the Perreaux Audiant 80i and ATC SIA 2-150
Haven't ATC discontinued the SIA 2-150 ?
It certainly looks like it.
I always thought it made little sense having a Pre/Power and Integrated at a very similar price.....it's a shame they didn't keep the SIA2-150 and increase the quality of CA2 / P1.
MUSICRAFT said:As far as I am aware the SIA2-150 MK2 has not been discontinued. The SIA2-150 MK2 is in the Power Amplifier section on ATC's website
http://www.atcloudspeakers.co.uk/hi-fi/electronics/power-amplifiers/s1a2-150/
Thanks
Rick @ Musicraft
MUSICRAFT said:As far as I am aware the SIA2-150 MK2 has not been discontinued. The SIA2-150 MK2 is in the Power Amplifier section on ATC's website
http://www.atcloudspeakers.co.uk/hi-fi/electronics/power-amplifiers/s1a2-150/
Thanks
Rick @ Musicraft
chebby said:BigH said:No putting the sound through tone controls degrades the quality that why so many of the more expensive amps do not have them.
Yep. Gives them less flexibility, preserves (some) manufacturer's bogus claims to high-end status ("look Ma, no tone controls, I must be good") and means they can charge more for using less components.
On the flip side, there have been some really sucky tone controls and lots of people who abuse them whether they are sucky or not. Classically the ill-named and, usually, ill-engineered 'loudness' function is the most abused one because it is only supposed to be applied at very low volumes and should be progressive so that it becomes less pronounced (and finally cuts out) as the volume is turned up.
I am hoping that intelligent use of DSP modes will become more prevalent amongst more new kit. (With customisable options for differently furnished rooms and different kinds of speakers maybe.)
Even great Michelin starred restaurants allow their customers the option to use salt to adjust the seasoning to their taste. Fortnums, Claridges and the Savoy provide sugar with their afternoon teas.
How would you like a television from a company who factory calibrate all their screens to a 'reference' standard and provide no user adjustments at all?
12Designs said:Thanks Rick
I will add this to my short list of amplifiers to listen to when I upgrade along with the Perreaux Audiant 80i and ATC SIA 2-150
WX said:In the second week of May there's the HighEnd Show in Munchen, it will reveal a lot of new 2013 stuff.
MUSICRAFT said:WX said:In the second week of May there's the HighEnd Show in Munchen, it will reveal a lot of new 2013 stuff.
Hi WX
Yes, it will be interesting to see what new products are revealed at the Munich show
Btw, production of Rega's new Aria MM/MC Phono stage begins this week.
All the best
Rick @ Musicraft
matthewpiano said:MUSICRAFT said:WX said:In the second week of May there's the HighEnd Show in Munchen, it will reveal a lot of new 2013 stuff.
Hi WX
Yes, it will be interesting to see what new products are revealed at the Munich show
Btw, production of Rega's new Aria MM/MC Phono stage begins this week.
All the best
Rick @ Musicraft
The Aria sounded wonderful played through the new amp (name of which I can't remember) and some PMC speakers at the Audio World show in Manchester with an RP8 as source).
chebby said:BigH said:No putting the sound through tone controls degrades the quality that why so many of the more expensive amps do not have them.
Yep. Gives them less flexibility, preserves (some) manufacturer's bogus claims to high-end status ("look Ma, no tone controls, I must be good") and means they can charge more for using less components.
On the flip side, there have been some really sucky tone controls and lots of people who abuse them whether they are sucky or not. Classically the ill-named and, usually, ill-engineered 'loudness' function is the most abused one because it is only supposed to be applied at very low volumes and should be progressive so that it becomes less pronounced (and finally cuts out) as the volume is turned up.
I am hoping that intelligent use of DSP modes will become more prevalent amongst more new kit. (With customisable options for differently furnished rooms and different kinds of speakers maybe.)
Even great Michelin starred restaurants allow their customers the option to use salt to adjust the seasoning to their taste. Fortnums, Claridges and the Savoy provide sugar with their afternoon teas.
How would you like a television from a company who factory calibrate all their screens to a 'reference' standard and provide no user adjustments at all?
lpv said:chebby said:BigH said:No putting the sound through tone controls degrades the quality that why so many of the more expensive amps do not have them.
Yep. Gives them less flexibility, preserves (some) manufacturer's bogus claims to high-end status ("look Ma, no tone controls, I must be good") and means they can charge more for using less components.
On the flip side, there have been some really sucky tone controls and lots of people who abuse them whether they are sucky or not. Classically the ill-named and, usually, ill-engineered 'loudness' function is the most abused one because it is only supposed to be applied at very low volumes and should be progressive so that it becomes less pronounced (and finally cuts out) as the volume is turned up.
I am hoping that intelligent use of DSP modes will become more prevalent amongst more new kit. (With customisable options for differently furnished rooms and different kinds of speakers maybe.)
Even great Michelin starred restaurants allow their customers the option to use salt to adjust the seasoning to their taste. Fortnums, Claridges and the Savoy provide sugar with their afternoon teas.
How would you like a television from a company who factory calibrate all their screens to a 'reference' standard and provide no user adjustments at all?
Interesting... does anything like - let's call it - 'progressive loudness' exist in any amplifier available? That could be very useful feature.
lpv said:Thanks for that.. too bad Naim you mentioned doesn't have balance control.. very useful in difficult rooms..
lpv said:hey, that's something! do you think it's worth for home audition?