Roksan with every Kandy and Caspian generation learned something and kept improving. The direction is clear, more power with less distortion and less noise, enveloped in balanced tonal character of their choosing (voicing) and with strict budget in mind. Of course some concepts were dead ends and they kept changing but there is an obvious line of progress. Objectively they are improving with every leap. Subjectively it is up to the customer/hi-fi journalist to decided if he likes the change or not.
Roksan in the new Kandy K2 BT added better ALPS volume pot, upgraded cheap general purpose caps (Samwha) to brand ones (United-Chemicon GPA), installed high quality Austrian power and USA telecom signal relays, changed cheap ceramic resistors to precise metal film Panasonics, installed faster and better rectification diodes, upgraded to bigger Noratel transformer with now 5 supply rails, completely removed Tape loop, etc.
Excellent.
And all these refinements to a basically identical K2, the K2 BT suddenly sounds worse. Alright, if that's what the WHF boys and girls hear, so be it. I will have to live without hearing the fine sonic textures of symphonic orchestra conductor's hair gel failing through my speakers. C'est cheveux. Hi-Fi Choice, Hi-Fi Pig and Hi-Fi World all absolutely loved the K2BT and gave it highest praise. If that matters to anyone.
The new K3 series is with redesigned front panels and £300 more expensive than the K2BT amp. Now they will solve the two biggest problems with the Kandy series. They were too eccentric looking and priced too cheap for what they really offer as a British designed and British made product (the front plates are made in Berlin mwahahaha).