kinda:
I did a bit of an experiment recently with my Sonos using optical and coax.
I felt as if there was more space between the different sounds and maybe a purer top end on the optical. However, there seemed much more detail to be heard, (which may account for the optical's "space"), and solidity of the sound in the coaxial.
I thought the coax was better for music, but then I think some people could prefer the type of sound the optical cable presented, plus it probably wasn't quite as good as the coax, (though both decent profigold efforts from a few years back).
I have been using optical cable for a while, but having been told by a high-end audiophile that coaxial was better than optical, I decided to do a comparison. Both were relatively cheap cables, but not the cheapest available.
Having compared them for a few days on my hybrid electrostatics, it is blatantly obvious that they sound different - despite the theorists who say there can be no difference. After vacillating as to my preference I seem to be leaning in favour of the optical. I then wanted to see what others thought so I googled and found this forum.
The comment I most related to from my own observation was the above one by "kinda".
My experience is similar to "kinda"s. The optical definitely had more space between the different sounds. Each instrument stood apart from the others, and the instruments were more spacially distributed. That is, there was noticeably greater three-dimensionality and more depth to the soundstage. This was very obvious on Chesky's Ultimate Demonstration Disc. It is much less obvious on CDs where less care has been taken in the recording process. In comparison, the coaxial seemed more two-dimensional, with less depth to the soundstage, and the instruments seemed to have considerably less space between them. From a soundstaging perspective with acoustic music impeccably recorded, I felt the optical absolutely trounced the coaxial.
With respect to the top end, I also found a noticeable difference. I don't know whether the sound was 'purer' with the optical since I did not hear the original performance, but it was certainly more 'there'. In my case there was definitely more detail in the top end, but I could not make up my mind whether or not it was accompanied by spurious artifacts or not. The coaxial was smoother, blander, and sometimes gave the impression of being cleaner. These may have been a result of reduced detail or reduced artifacts, both, or neither. I can only speculate.
The coaxial had a somewhat more 'solid' sound, as "kinda" also observed, and this may appeal on lesser recordings or non-acoustic music. This solidity seems to be a feature of the midrange rather than the bass. For me though, if the choice is between 'solid' and soundstaging, I tend to choose soundstaging.
The difference between the coaxial and optical seemed minimal in the bass to the extent that I doubt that I could pass a 'blind' listening test on the bass alone. If anything, I thought the optical to be a very very slightly leaner.
Overall to my ears, on properly recorded acoustic music, the optical sounded like a live performance whereas the coaxial sounded like a sound system.
I realise my experience flies against the proclamations of many theorists and my conclusions may differ from others far more discerning than I - but I can only describe what I hear.