Is hi-fi really getting better? Our technical editor ponders its progression

I've questioned whether new HIFI is better than the older stuff. CD does sound better than vinyl and I think the vinyl revival is just people getting on a lifestyle bandwagon, or perhaps is just a rejection of new things as a whole. Some people don't like change. I don't think, however, that new CD players sound much better than older ones. The Red Book standard must be over 42 years old now and there's nothing left to add. CD sound quality peaked many decades ago and shoving CD data through a modern DAC won't improve things. You can't add extra bits and quality to the CD format. Speakers are better, but many are still average compared to similar priced offerings years ago. New materials and sophisticated computer modelling has improved sound quality. Internal components have finer tolerances and many speakers can deliver incredibly high quality sound, while being very efficient at the same time.
 
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I've questioned whether new HIFI is better than the older stuff. CD does sound better than vinyl and I think the vinyl revival is just people getting on a lifestyle bandwagon, or perhaps is just a rejection of new things as a whole. Some people don't like change. I don't think, however, that new CD players sound much better than older ones. The Red Book stanfard must be over 42 years old now and there's nothing left to add. CD sound quality peaked many decades ago and shoving CD data through a modern DAC won't improve things. You can't add extra bits and quality to the CD format. Speakers are better, but many are still average compared to similar priced offerings years ago. New materials and sophisticated computer modelling has improved sound quality. Internal components have finer tolerances and many speakers can deliver incredibly high quality sound, while being very efficient at the same time.
I totally agree with you that cd sounds better than vinyl, which is incredibly overrated! And I grew up with it in the 60s & 70s! Cd replay has actually come along way since the early days---Denon for example, with their creditable Alpha Processing! DSP room correction has been the game changer, certainly the modern processors available today, allowing you to finally achieve high quality sound in your living room.--- Definitely a route to go down if you have older quality equipment is to have it serviced, and better components fitted inside at the same time. A cost-effective way to hang onto your cherished equipment and to improve the sound of it as well.
 
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I've questioned whether new HIFI is better than the older stuff. CD does sound better than vinyl and I think the vinyl revival is just people getting on a lifestyle bandwagon, or perhaps is just a rejection of new things as a whole. Some people don't like change. I don't think, however, that new CD players sound much better than older ones. The Red Book stanfard must be over 42 years old now and there's nothing left to add. CD sound quality peaked many decades ago and shoving CD data through a modern DAC won't improve things. You can't add extra bits and quality to the CD format. Speakers are better, but many are still average compared to similar priced offerings years ago. New materials and sophisticated computer modelling has improved sound quality. Internal components have finer tolerances and many speakers can deliver incredibly high quality sound, while being very efficient at the same time.
Well said sir.
However, until recently I was still using my 1986 Philips CD650 with 16bit DAC and I always noticed crackling during Phil Collins - In the Air Tonight crescendo. But in later years, the COAX out, rare in those days, just high end devices had it, was used to send digital direct to my modern pre-amplifier. Crackling gone.
Agree on speakers, better, stiffer, lighter materials making far less coloured sound in theory.
What makes much of today's Hifi less so is the sound manipulation manufacturers have committed to make a pleasing sound to many, but coloured sound. QUAD's mantra in the 1970's was, piece of wire with gain. But even today's cables are manipulated.
 
I totally agree with you that cd sounds better than vinyl, which is incredibly overrated! And I grew up with it in the 60s & 70s! Cd replay has actually come along way since the early days---Denon for example, with their creditable Alpha Processing! DSP room correction has been the game changer, certainly the modern processors available today, allowing you to finally achieve high quality sound in your living room.--- Definitely a route to go down if you have older quality equipment is to have it serviced, and better components fitted inside at the same time. A cost-effective way to hang onto your cherished equipment and to improve the sound of it as well.
Well, that makes three of us that don't see (hear) the emperors clothes.
 
Ok, this isn't from this decade. Until around 2015 I was using the phono stage from my original Mission Cyrus 1 (1983 model serial 100356) to the input of my Naim Nait 5 via the Cyrus tape out. I tried offerings from Cambridge Audio, Rega, and QED. The Cyrus 1 phono stage just had more PRaT than the other devices. I said to my local Naim dealer that I would be in the market for a used Naim Stageline after borrowing his demo model for a few days. The Naim offers better resolution and more PRaT than the original Cyrus phono stage. The 1983 Cyrus had a plastic case and was falling to bits by this time. The Stageline was purchased. Sadly, the Naim products gave me the dreaded upgradeitus syndrome; the more you hear, the more you hear, the more you want.

My turntable, a 1995 Pink Triangle Anniversary, can rival any LP12. It adds nothing to the music, in my view.
 
3j
Well, that makes three of us that don't see (hear) the emperors clothes.
Well said also! Those early Philips cd players were good! Happy memories of my cd104 and 960 players.--- My biggest criticism of today's loudspeakers on the market are the aesthetics, until you really go into the higher price brackets. They just lack that quality look! (Cheap materials maybe). Regarding cables, some of the prices out there are insane! I love my DNM cables (Dennis Morecroft) with their sensible design at sensible prices.
 
Well, that makes three of us that don't see (hear) the emperors clothes.
A decent streaming source and a decent record deck far surpass the sound quality of a CD. Looked after older vinyl is far better than the new vinyl of today. The LP is now this largest selling physical media in the UK and the USA in both volume and value. Indeed, the record is now used in the measurement of the UK inflation figures.

https://www.theguardian.com/business/2024/mar/11/vinyl-records-uk-inflation-basket-taylor-swift-1989
 
A decent streaming source and a decent record deck far surpass the sound quality of a CD. Looked after older vinyl is far better than the new vinyl of today. The LP is now this largest selling physical media in the UK and the USA in both volume and value. Indeed, the record is now used in the measurement of the UK inflation figures.

https://www.theguardian.com/business/2024/mar/11/vinyl-records-uk-inflation-basket-taylor-swift-1989
Absolute nonsense. CD has better sound quality than vinyl could ever achieve. We have a vinyl revival because people tend to reject new technology, even if CD is 42 years old, because they don't understand it and it's suddenly trendy to buy an ancient format. This is the Luddite mentality which still thinks an ancient format is the last word in quality, when every technical specification of CD utterly trounces those of vinyl. Do you really think Philips and Sony spent years and milllions of pounds inventing a new sound format to make it sound worse than vinyl? The resolution of vinyl is far lower than CD, so it flatters poor recordings, while CD has higher resolution and will reveal poor recordings. Don't blame the resolution of CD making your crappy poor recordings sound dreadful. If you don't like the sound of CD, you are listening to poor recordings, flattered by vinyl for decades. Also, any streaming service using the masters used for CD production will have the same quality as CD. If Tidal masters are 16 bit at 44.1 kHz, then they will be bit for bit identical to CD and therefore sound exactly the same as CD.
 
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A decent streaming source and a decent record deck far surpass the sound quality of a CD. Looked after older vinyl is far better than the new vinyl of today. The LP is now this largest selling physical media in the UK and the USA in both volume and value. Indeed, the record is now used in the measurement of the UK inflation figures.

https://www.theguardian.com/business/2024/mar/11/vinyl-records-uk-inflation-basket-taylor-swift-1989
Sorry, what has the selling of vinyl and UK inflation figures got to do with sound quality? I was in HMV Bond Street the other day-- the price of Vinyl was insane! Nobody was buying it! There were plenty of people buying cds though.
 
Absolute nonsense. CD has better sound quality than vinyl could ever achieve. Any streaming service using the masters used for CD production will have the same quality as CD. If Tidal masters are 16 bit at 44.1 kHz, then they will be bit for bit identical to CD and therefore sound exactly the same as CD.
Totally agree with you!
 
A decent streaming source and a decent record deck far surpass the sound quality of a CD. Looked after older vinyl is far better than the new vinyl of today. The LP is now this largest selling physical media in the UK and the USA in both volume and value. Indeed, the record is now used in the measurement of the UK inflation figures.

https://www.theguardian.com/business/2024/mar/11/vinyl-records-uk-inflation-basket-taylor-swift-1989
Not at all. I was around at the move from vinyl to CD in the eighties and it was a revelation, especially as discs went from AAD to DDD. Ink black background and open, uncompressed sound. I have never looked back. I do occasionally listen to my 1970's vinyl, but with a DBX unit to open up the sound, it's the same as those used in recording studios to compress sound for vinyl, vinyl is so noisy and flat due to the technical limitations of the media.
I have no doubt that vinyl purchase is a fad and most purchasers don't have the equipment to hear the difference, except when comparing to AAC and MP3 on their mobile devices with mainstream earbuds, it has been demonstrated in the past that vinyl lovers prefer lossy MP3 to lossless CD. Sums it up doesn't it.
 
I have no doubt that vinyl purchase is a fad and most purchasers don't have the equipment to hear the difference, except when comparing to AAC and MP3 on their mobile devices with mainstream earbuds, it has been demonstrated in the past that vinyl lovers prefer lossy MP3 to lossless CD. Sums it up doesn't it.
Exactly what I've thought for years. Vinyl lovers prefer the flat, inoffensive low res sound of vinyl. They don't seem to appreciate the ruthlessly revealing sound of CD. Modern high res recordings require a modern (42 year old) format. Perhaps if many older recordings were better quality, vinyl lovers would migrate to CD and finally hear what they've been missing. Vinyl has zero sonic advantages over CD and certainly no practical ones. As I said above, try buying all the new music you want on vinyl, at stupid prices because they saw you coming and then build an extension to store it.
 
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Not at all. I was around at the move from vinyl to CD in the eighties and it was a revelation, especially as discs went from AAD to DDD. Ink black background and open, uncompressed sound. I have never looked back. I do occasionally listen to my 1970's vinyl, but with a DBX unit to open up the sound, it's the same as those used in recording studios to compress sound for vinyl, vinyl is so noisy and flat due to the technical limitations of the media.
I have no doubt that vinyl purchase is a fad and most purchasers don't have the equipment to hear the difference, except when comparing to AAC and MP3 on their mobile devices with mainstream earbuds, it has been demonstrated in the past that vinyl lovers prefer lossy MP3 to lossless CD. Sums it up doesn't it.
Absolutely! The only good vinyl record would be one that's never been played. Just one play and there's wear. --- The very first cd I purchased back in 85' is now 40 years old, and sounds as good and exactly the same as the day I bought it. --- Steve Miller Band-- Italian XRays one of the first DDD recordings.
 
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The biggest improvement to audio in the last 5 years has been the advent of Chifi and modern class D amplifiers that have brought hi end within reach of the masses, which in turn has forced the traditional manufacturers to lift their game.
 
Ok, this isn't from this decade. Until around 2015 I was using the phono stage from my original Mission Cyrus 1 (1983 model serial 100356) to the input of my Naim Nait 5 via the Cyrus tape out. I tried offerings from Cambridge Audio, Rega, and QED. The Cyrus 1 phono stage just had more PRaT than the other devices. I said to my local Naim dealer that I would be in the market for a used Naim Stageline after borrowing his demo model for a few days. The Naim offers better resolution and more PRaT than the original Cyrus phono stage. The 1983 Cyrus had a plastic case and was falling to bits by this time. The Stageline was purchased. Sadly, the Naim products gave me the dreaded upgradeitus syndrome; the more you hear, the more you hear, the more you want.

My turntable, a 1995 Pink Triangle Anniversary, can rival any LP12. It adds nothing to the music, in my view.
I am still using my Mission Cyrus 1 (serial 100084!) and it remains great compared to amps I have auditioned recently. Even for speakers, I auditioned KEF R3Meta and was underwhelmed compared to my 80s Missions, finding them unengaging . I think the front end has moved on much further (of course CDs are better than vinyl, although I get the enthusiasts who are taken by vinyl in the same way as Rolexes are prized much more than quartz watches despite the latter being 100 fold cheaper and more accurate).

Regarding the article topic, I think it needs to be remembered that everyone except the customer has a vested interest in selling new product. This was brought home to me by reading a magazine article which compared an original Linn LP12 at launch in the 70s, with the same turntable from about a decade ago. I have read so many articles over that period which have stated that each iteration of LP12 was like ‘a curtain having been lifted’ but when it came down to the review scoring the then current and original 12, there was precious little difference.
 
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The simple answer is yes...... and no!

Let's be honest, no product is truly desgined to be as good as it can be, it is designed to be as good as it can be within the time they have to develop it, and the budget they have to produce it. This will. Always have limitations.

On the flip side, when designing a product developers have the knowledge of everything that went before to work from. This coupled with modern technology means things made today could and should be better, and they sometimes are!

Personally I don't believe it is anything worth spending too much brain power considering, there is plenty of great equipment available, new and vintage and at every price point. It doesn't matter if you are spending a few hundred pounds on second hand components, or the price of a family car on your amp, you can get a good sounding system.
 
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What Hi-Fi?'s technical editor, Ketan Bharadia, ponders whether hi-fi design is truly progressing...

Is hi-fi really getting better? Our technical editor ponders its progression : Read more
I am still using my original Audiomaster ( KJ Leisuresound's in-house brand) LS3/5A's albeit with a Bel Canto pre-amp and monoblock power combination. They still sound great after 50 years of hard use ( Pretty much non stop Heavy Metal through the Eighties). They are now in the kitchen and are used for more easy listening ( Melody Gardot etc) but every now and then they get a blast of Judas Priest and the like where they definitely come up short !! I haven't heard one of the new pairs of LS3/5As but I imagine they would also sound great but not substantially different. They weren't the best choice of speakers for a youung Heavy Metal fan but they have served me well and I won't be parting with them any day soon.
 
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If "better" means ease of access and availability then demonstrably yes. iTunes produced the answer to that question.
If "better" means fidelity to the original source then, overall, probably not. But this is complicated by the extent to which producers want to change the "original" to make it sound more attractive (in the same way a colourist approaches a video file).
 
What Hi-Fi?'s technical editor, Ketan Bharadia, ponders whether hi-fi design is truly progressing...

Is hi-fi really getting better? Our technical editor ponders its progression : Read more
Analogue audio is increasingly being matched by digital, although there are aspects that have improved enormously. Especially the dynamics 24 bit means from -144dB to 0dB. Although 144dB sound pressure is far above the pain threshold. Unfortunately, the dynamics are not applied correctly. Even on an album LP or CD the differences in volume are enormous. First you have to turn up the volume and the next track is way too loud. Often the microphones are not positioned correctly, causing the acoustics to disappear. 54 years ago I listened to a demonstration of the ESL 57. I did not understand that my ears saw what was hidden from the eyes. Sounds strange, but even then it was possible to position the musicians with electrostatic speakers. There was no coloration, it sounded perfect. Only the lower frequencies and the volume were not at the desired level. And that has now been resolved, now there is equipment that, if it has been recorded properly, absolutely no shortcomings. It sounds analog without background noise. Yes Hi-Fi has become much better.
 
Interesting that if our beloved CD is so much better, the sales have plummeted. My CD's were all ripped; they occupy an SSD on my Nucleus One. My last CD player was a Naim CD5 with a Flatcap, I was very happy with the sound when I discovered ripping and a good DAC I realised the end was nigh for CD; that was in 2007. I still own the CDs but stream from an SSD. Old vinyl sounds better, recorded and mastered in the analogue domain. Why buy a digitally recorded, newly mastered vinyl record? A studio master download will sound better since the digital hasn't been remastered to analogue for the LP pressing.
 
The higher priced hi-fi of the late 1970s, 80s and 90s still sounds good today but due to aging may need a service and recap of capacitors. Even some of the pick favoured by reviewers still hold up to their modern counter part.

There are more choices today, although fewer places to review for yourself other than a few brands. Many speakers even 15 years old need the foam surrounds of driver units replaced. Not all, my 1981 Meridian are still fine but the tweeter on a 1989 speaker needed replacing. The choice of materials is better but build quality is even at inflation index prices isn't always as good. e.g. My £1500 spend on speakers in 1981 were around 4 months annual salary. Same employment today that would be £9900. Inflation index gives x4.2 or £6300. The speakers that might offer a better quality of sound are £13000 and a clearly better performance £35000 (same manufacturer). I have heard, without doing and A/B comparison, a number of speakers that are different, just as good but don't make be feel they are really any better. I had better hearing 45 years ago. I do have £14000 speakers that are certainly not better but offer features and convenience (built in stream, part of 5.1 set up, WiSA) and should they break down easier to get effective repairs (took over 6 years, effort and cost to finally get my 1981 speaker's amplifier fully repaired).

I also have speakers costing £3k that for their size, fitting in everywhere I want to use them raise the question as to whether spending any more is really worth it. Whilst not the last word in quality they do better than the 80:20 rule. DSP and room compensation make modern streaming DSP active speakers smaller for the same quality of sound as would be expected from larger and more expensive passive speakers and remove the need for racks of electronics. These modern system speakers have new limitations such as not scaling up to surround sound solutions, having latency issues that never happened on analogue speakers, depend upon an app that in turn could meaning you need a new mobile phone or in a couple of years need an old phone or the app that never got an update will not run. Features get removed and new features apply only under restricted conditions. Finding the original app could be difficult when they get removed from the store and the manufacturer, still selling the component has a non-working beta update to offer. They could avoid most of the issues but that would cost more in research and they need a way to force owners to replace with newer models. It is software, like Microsoft supporting only newer processors for Windows 11. Perfectly fast enough, good enough machines can not get continued support and updates.

There are also so many other things to have to spend your money on like heating the home and basic food costs that have doubled.

When my college friends graduated and started careers they all had hi-fi systems; still do in the sense they stuck them up in the attic 25 years ago. Only one still has a full set up working. A couple have added a sound bar to their flat screen TV. Some don't even have a TV any longer. The friend with hi-fi switched over from music to video versions of albums in a home theatre set up. He now streams in high definition explaining how he can now hear the position of instruments and a sound stage that I have heard for 45 years with vinyl as my source.
 
The audio quality we hear on either format boils down to the original mastering. There is no doubt at all, that a quality digital system should be totally transparent and vinyl most certainly is not.

However, it is true that until the past few years, the loudness wars resulted in the digital version of a an album being more compressed and perhaps fatiguing, whilst the vinyl release may have had more dynamic range. Nowadays it seems the vinyl release is a less loud version of the digital in some cases.

Overall though, I struggle to get past the lispy sound of vinyl. The limitations of the format produce the warmth sound so many love but an 's' is not a 'th' ... The myth that its a perfect recording of the original master is also something that I'm tired of hearing as, after all, a phono stage is required to reverse the equalisation applied to the music in order to press it. I'm also tired of the analoguers mentioning the digital staircase which also a complete myth/misunderstanding.

Each to their own though and I'm currently enjoying BluRay/DVD Audio where the stereo version of the music seems to have more dynamic range and the surround recordings are good fun.
 

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