Have just acquired both an Pioneer LX508D and a Marantz DV7001 and am at a low point as to the whole notion of 'the deepest' and 'the most pure' blacks, as raved about by many a journo in this venerable organ amongst many other review generators on the web.
I'm finding that the TV is giving variable performance depending on the source material, e.g a UK DVD of Inspector Morse from, presumably, a video master looked sharp, bright and clear throughout, whereas a couple of epsiodes of the X Files Season 2 looked muddier, dimmer with softer edges to boot around all people and objects. Kingdom of Heaven lacked punch and Star Trek First Contact felt like watching a first generation VHS tape. All of these, BTW, were delivered on DVD via the Marantz player with upscaling set to 1080p and the TV set to Dot to Dot.
Particularly frustrating is this whole 'black' thing - right now, it feels that anything that is black under any condition except direct light (in a scene) becomes an impenetrable block of black with no shading or detail - not at all what I had in mind, when forking out for 'the best tv in the world'. I've deliberately turned down contrast and brightness on the master controls on the TV, not least to avoid plasma burn-in, but also to attempt to gain many degrees of shading, but this seems to have no discernible effect. Also, we tend to watch the set in dim to dark conditions, which one would hope would contribute to the picture's overall improvement.
Any and all guidance in this area will be much appreciated. I'm wondering whether getting a professional calibrater in will help the situation in obtaining the depth of colour and shading without simply witnessing, albeit well presented, extremes of bright and dark. It's all very well to have 'inky' blacks and 'persil pants' whites (I do like that analogy from the July edition review of the 60" plus TV reviews) but when there are only mega-extremes at the expense of ample shades between the two, it feels cheap and nasty in comparison with my old monster Matsui 32" CRT TV of yore.
As a last point, I have on standby an ONKYO TX-SR875 which I have yet to connect as I am awaiting delivery of a set of Gallo A'Diva Ti satellites and matching Gallo TR2 sub-woofer. I am on tenterhooks to set up the whole collection, but feel stymied as to how to make best use of the prize winning upscaling components of each of the main pieces of equipment in order to achieve the optimum picture on this 'best of all possible' TVs of the moment.
Please help!
Thanks in advance
Malcolm
I'm finding that the TV is giving variable performance depending on the source material, e.g a UK DVD of Inspector Morse from, presumably, a video master looked sharp, bright and clear throughout, whereas a couple of epsiodes of the X Files Season 2 looked muddier, dimmer with softer edges to boot around all people and objects. Kingdom of Heaven lacked punch and Star Trek First Contact felt like watching a first generation VHS tape. All of these, BTW, were delivered on DVD via the Marantz player with upscaling set to 1080p and the TV set to Dot to Dot.
Particularly frustrating is this whole 'black' thing - right now, it feels that anything that is black under any condition except direct light (in a scene) becomes an impenetrable block of black with no shading or detail - not at all what I had in mind, when forking out for 'the best tv in the world'. I've deliberately turned down contrast and brightness on the master controls on the TV, not least to avoid plasma burn-in, but also to attempt to gain many degrees of shading, but this seems to have no discernible effect. Also, we tend to watch the set in dim to dark conditions, which one would hope would contribute to the picture's overall improvement.
Any and all guidance in this area will be much appreciated. I'm wondering whether getting a professional calibrater in will help the situation in obtaining the depth of colour and shading without simply witnessing, albeit well presented, extremes of bright and dark. It's all very well to have 'inky' blacks and 'persil pants' whites (I do like that analogy from the July edition review of the 60" plus TV reviews) but when there are only mega-extremes at the expense of ample shades between the two, it feels cheap and nasty in comparison with my old monster Matsui 32" CRT TV of yore.
As a last point, I have on standby an ONKYO TX-SR875 which I have yet to connect as I am awaiting delivery of a set of Gallo A'Diva Ti satellites and matching Gallo TR2 sub-woofer. I am on tenterhooks to set up the whole collection, but feel stymied as to how to make best use of the prize winning upscaling components of each of the main pieces of equipment in order to achieve the optimum picture on this 'best of all possible' TVs of the moment.
Please help!
Thanks in advance
Malcolm