Thanks for your replies, boys.
I thought I might as well give it a go, so I've had the pre-amp and power amp on since yesterday afternoon. Seems that there is some truth to it, after all.
I've been listening to Damien Rice's 'O' all week. This morning, when I played it, certain changes jumped out straight away:
1: On 'The blowers daughter' (Trk 3), there was one bass note that was very bloated and overpowering, that was jarring to listen to. This morning, the note is tight. This tightening of bass goes right through the album.
2: On 'Cannonball' (Trk 4), A whole new guitar track was revealed. I count four, now.
3: On 'Cold Water' (Trk 8), there is now no background noise. It sounds beautiful, just the strumming of the guitar, the reverb on the piano and the vocals. The removal of the background noise seems to have added to the detail and the clarity. The section of strange, deep singing can now be easily decyphered, word for word, whereas some words were beyond me before.