drummerman said:I once made the analogy between going to a restaurant and enjoying the experience from beginning to end, without skipping or rushing things as opposed to going into a McDonalds or such like for a quick fill-up.
This can be similar to enjoying an LP or just jumping through tracks stored or on a cd.
So, the article is right about the enjoyment of handling the medium (LP), the fiddling etc. - So what?
As to SQ, some CD's are certainly better than their LP counterparts but the same holds true vice versa.
drummerman said:I once made the analogy between going to a restaurant and enjoying the experience from beginning to end, without skipping or rushing things as opposed to going into a McDonalds or such like for a quick fill-up.
This can be similar to enjoying an LP or just jumping through tracks stored or on a cd.
So, the article is right about the enjoyment of handling the medium (LP), the fiddling etc. - So what?
As to SQ, some CD's are certainly better than their LP counterparts but the same holds true vice versa.
But then it is down to whether the mastering for CD is actually taking advantage of the format. It seems many albums I've searched for on the dynamic range database website linked to in another thread are actually less compressed on vinyl.MeanandGreen said:Technically the CD format is superior to vinyl in every way. It is capable of higher S/N, greater dynamic range, incredibly low distortion levels, no speed and pitch errors.
David@FrankHarvey said:But then it is down to whether the mastering for CD is actually taking advantage of the format. It seems many albums I've searched for on the dynamic range database website linked to in another thread are actually less compressed on vinyl.MeanandGreen said:Technically the CD format is superior to vinyl in every way. It is capable of higher S/N, greater dynamic range, incredibly low distortion levels, no speed and pitch errors.
Pedro2 said:Didn't Linn stop making turntables a few years back as their digital streamers produced a better sound?
CnoEvil said:Pedro2 said:Didn't Linn stop making turntables a few years back as their digital streamers produced a better sound?
No, that was their CDPs.
pauln said:drummerman said:I once made the analogy between going to a restaurant and enjoying the experience from beginning to end, without skipping or rushing things as opposed to going into a McDonalds or such like for a quick fill-up.
This can be similar to enjoying an LP or just jumping through tracks stored or on a cd.
So, the article is right about the enjoyment of handling the medium (LP), the fiddling etc. - So what?
As to SQ, some CD's are certainly better than their LP counterparts but the same holds true vice versa.
Any reason why you can't sit and listen to a CD without skipping tracks? I manage to do it easily enough. Your analogy falls flat.
iMark said:...I don't think we need hires stuff but it would be great if consumers could choose between a master with great dynamic range and a master for poor quality sound systems...
iMark said:I don't think we need hires stuff but it would be great if consumers could choose between a master with great dynamic range and a master for poor quality sound systems. You could even market them as audiophile masters. Just like you could choose between mono and stereo records in the 1960s.
iMark said:I don't think we need hires stuff but it would be great if consumers could choose between a master with great dynamic range and a master for poor quality sound systems. You could even market them as audiophile masters. Just like you could choose between mono and stereo records in the 1960s.
SteveR750 said:It's a pity that the music industry doesn't use the same approach as photography, given the adjectives used to describe both senses is unsurprisingly similar; I'm thinking about the rise of popularity of HDR despite it's limitations in print form and smartphone enabled devices.
David@FrankHarvey said:iMark said:I don't think we need hires stuff but it would be great if consumers could choose between a master with great dynamic range and a master for poor quality sound systems. You could even market them as audiophile masters. Just like you could choose between mono and stereo records in the 1960s.
Mastering to sound good on poor quality systems, in my opinion, is just wrong. This is giving people no incentive to buy a better system. If people have no interest in sound quality, they aren't going to care how an album is mastered, let alone mastered to sound better on their Alba.
BigH said:Yes but hifi is a very small part of music listening, so why should the music industry spend money on it unless they will get more money? As for photography thats not a good comparison. Hifi = camera. Most HDR is awful IMHO.
SteveR750 said:BigH said:Yes but hifi is a very small part of music listening, so why should the music industry spend money on it unless they will get more money? As for photography thats not a good comparison. Hifi = camera. Most HDR is awful IMHO.
similarly then, why are they compressing it? Does it sell more records by making it sound crap?