Perhaps one of the first useful modern applications for loudspeakers with dual binding posts.
This one comes from an odd review conclusion about the Denton 85th Anniversary.
Getting big kettle drum strikes and cross panned drum kit rolls to sound realistic isn’t something small loudspeakers manage well, but the Denton 85s had no problem. As standard there was too much treble for me, but with a 1 Ohm resistor tweak it all fell into place: clear, full bodied, punchy and exciting beyond what you’d expect at either the price or the size.
https://7review.com/wharfedale-denton-85-review/
Let's start with a big exclamation plus question mark attached to the conclusion of review on its own. The review before the conclusion was ok,though the conclusion is highly uncanny by letting people know what you personally prefer and also suggesting to tweak something to that personal preference... I mean it is ok to mention it somewhere but on a sidenote.
The Denton 85 is a great sounding speaker with a natural sound. Violins sound like crisp and clear. This forward sound is perhaps more the product of how they wanted it to be. It is not that warm as other Wharfedale models, but I like it. Violins sound like that in real and crash cymbals "are" harsh, never really soft and warm.
That all doesnt mean I don't like a warm sound, I have another set which is warmer in signature, but for both realism and hi-fi user preference equal valid arguments can be made.
That all said and done. The resistor trick caught my attention apart from the review and as I am not conservative given safe experiments, I ordered two 1 ohm resistors for the sake of trying
Users online claim they have used this hack to get the 85th sound more like the 80th and have this warm "Wharfedale sound". It seems like it adjusts the expressional / volume output of the tweeter rather than dialing back frequencies as with tone controls.
Since this is a general thing and not only Denton 85th, who has ever applied it?
Disclaimer: found this photo online a while ago, it is not mine.
This one comes from an odd review conclusion about the Denton 85th Anniversary.
Getting big kettle drum strikes and cross panned drum kit rolls to sound realistic isn’t something small loudspeakers manage well, but the Denton 85s had no problem. As standard there was too much treble for me, but with a 1 Ohm resistor tweak it all fell into place: clear, full bodied, punchy and exciting beyond what you’d expect at either the price or the size.
https://7review.com/wharfedale-denton-85-review/
Let's start with a big exclamation plus question mark attached to the conclusion of review on its own. The review before the conclusion was ok,though the conclusion is highly uncanny by letting people know what you personally prefer and also suggesting to tweak something to that personal preference... I mean it is ok to mention it somewhere but on a sidenote.
The Denton 85 is a great sounding speaker with a natural sound. Violins sound like crisp and clear. This forward sound is perhaps more the product of how they wanted it to be. It is not that warm as other Wharfedale models, but I like it. Violins sound like that in real and crash cymbals "are" harsh, never really soft and warm.
That all doesnt mean I don't like a warm sound, I have another set which is warmer in signature, but for both realism and hi-fi user preference equal valid arguments can be made.
That all said and done. The resistor trick caught my attention apart from the review and as I am not conservative given safe experiments, I ordered two 1 ohm resistors for the sake of trying
Users online claim they have used this hack to get the 85th sound more like the 80th and have this warm "Wharfedale sound". It seems like it adjusts the expressional / volume output of the tweeter rather than dialing back frequencies as with tone controls.
Since this is a general thing and not only Denton 85th, who has ever applied it?
Disclaimer: found this photo online a while ago, it is not mine.
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