...I go and 'spoil' it again.
I've spent months getting used to the sound of my Mac Mini & HRT Streamer II+, mainly playing lossless CD rips via iTunes and BitPerfect. And very satisfied I was too.
Then, as you might have read from my recent thread, I've gone and bought a Nakamichi DR-1 cassette deck after '20 years of hurt'. I couldn't afford one new in 1992, I had to make do with a DR-3 instead (bought in 1994), which was a damn decent second best it has to be said. Even the DR-3 had sat dormant for a while, boxed away, but having bought the DR-1, well I kind of had to use it a bit even just to justify the purchase to myself.
I've been listening to some of my favourite old cassettes, such as Themes by Vangelis, Rock Anthems (a relatively inexpensive compilation on the Dino label which I bought at the same time as the DR-3), along with a collection called 'The Love Box' on the Castle Communications lable, which I think I bought for about £2 from a service station ten years ago when they were clearing out all their tapes.
What an absolute revelation it has been. Somehow with digital it's a kind of analytical experience, even when I'm just trying to enjoy the music. I don't mean that the sound from my equipment is too analytical, what I mean is, even when I'm just trying to flow along with the music I end up analysing what I'm listening to. Is that high-hat over there as crisp as it should be? Is the separation between those two instruments as good as it should be? Hmm that vocal is a bit forward...I'll just go tweak some settings in the software.
Absolutely none of that tonight with these tapes. I just sat there and let the enjoyable, lush, warm, inviting sound wash over me and smother me. And you know what? It sounded fantastic. Sure, the Mac >HRT>BP front-end is more revealing, the blacks are blacker, leading edges of transients like snare drums have more attack and maybe cymbals and sibilants are that bit crisper. But you know what? I didn't give a monkey's. I just sat there, transfixed for about three hours (getting up every half hour or so to turn/swap the tape!), allowing this sound to pull me close, throw its arms around me and cuddle me in a way that my technically-superior yet frigid digital front-end just doesn't know how to do.
Twenty year old tape deck = best purchase I've made this year. 8)
I've spent months getting used to the sound of my Mac Mini & HRT Streamer II+, mainly playing lossless CD rips via iTunes and BitPerfect. And very satisfied I was too.
Then, as you might have read from my recent thread, I've gone and bought a Nakamichi DR-1 cassette deck after '20 years of hurt'. I couldn't afford one new in 1992, I had to make do with a DR-3 instead (bought in 1994), which was a damn decent second best it has to be said. Even the DR-3 had sat dormant for a while, boxed away, but having bought the DR-1, well I kind of had to use it a bit even just to justify the purchase to myself.
I've been listening to some of my favourite old cassettes, such as Themes by Vangelis, Rock Anthems (a relatively inexpensive compilation on the Dino label which I bought at the same time as the DR-3), along with a collection called 'The Love Box' on the Castle Communications lable, which I think I bought for about £2 from a service station ten years ago when they were clearing out all their tapes.
What an absolute revelation it has been. Somehow with digital it's a kind of analytical experience, even when I'm just trying to enjoy the music. I don't mean that the sound from my equipment is too analytical, what I mean is, even when I'm just trying to flow along with the music I end up analysing what I'm listening to. Is that high-hat over there as crisp as it should be? Is the separation between those two instruments as good as it should be? Hmm that vocal is a bit forward...I'll just go tweak some settings in the software.
Absolutely none of that tonight with these tapes. I just sat there and let the enjoyable, lush, warm, inviting sound wash over me and smother me. And you know what? It sounded fantastic. Sure, the Mac >HRT>BP front-end is more revealing, the blacks are blacker, leading edges of transients like snare drums have more attack and maybe cymbals and sibilants are that bit crisper. But you know what? I didn't give a monkey's. I just sat there, transfixed for about three hours (getting up every half hour or so to turn/swap the tape!), allowing this sound to pull me close, throw its arms around me and cuddle me in a way that my technically-superior yet frigid digital front-end just doesn't know how to do.
Twenty year old tape deck = best purchase I've made this year. 8)